|
|
| |
 |
A criminal-centric Cops meets C-Span |
| ... on cable! |
| |
 |
Keeping cameras trained on actual gangstas |
| 24-7, G-Span does C-Span one better by |
| cashing in on America's obsessions with |
| authenticity and crime. |
| |
 |
C-Span and Court TV have helped make |
| reality-based television all the rage, |
| but neither channel broadcasts an |
| especially exciting version of real life. |
| Both have always lacked sympathetic |
| characters (who the hell likes |
| politicians or lawyers?), and the speed |
| at which the law moves makes golf games |
| seem fast-paced by comparison. G-Span |
| takes a more profitable approach to |
| true-life television, broadcasting the |
| uncut exploits of those who take our |
| money illegally with the same steadfast |
| devotion to actual events (and hence low |
| production costs). One look at the |
| Billboard charts speaks volumes about our |
| culture's obsession with gangsta chic, |
| and America's appetite for authenticity |
| will make this 24-hour crime-fest far |
| more popular than its fictionalized |
| equivalents. |
| |
|
|
| |
| Like its political cousin, G-Span |
| basically follows gangstas around with |
| cameras - a strategy almost guaranteed to |
| yield a better dollars-to-doughnuts ratio |
| than any footage the Cops crew grabs. |
| Viewers will be spellbound by gangsta |
| life as it happens - from the thrill of a |
| home invasion to the glamour of a gang |
| meeting. The programming may sometimes |
| get grisly, but the risk of fatality is |
| what gives thug life the |
| live-fast-die-young ethos entertainment |
| consumers seem to demand. Cultural |
| killjoys will doubtless point out that |
| the channel plays off of our most basic |
| fears - but that sure never hurt C-Span's |
| ratings. |
| |
 |
Like other true-life television dramas, |
| G-Span will cost far less than fictional |
| programming (called "entertainment" by |
| some). The most significant start-up cost |
| will be staff and cameras - both of which |
| will probably have to be replaced from |
| time to time due to the unique pressures |
| of the filming environment. Insurance |
| will be the next biggest expense, but |
| plans call for giving potential insurers |
| a piece of the rock, so to speak, in |
| exchange for fitting this project into |
| the category of "acceptable risk." |
| Editing will be done as cheaply as |
| possible in order to keep it real, and |
| there won't be any actors or directors to |
| demand more money if the show succeeds. |
| |
|
courtesy of
Dr. Dreidel
|