Hit & Run CXCIV
In the fiercely competitive
world of Benjamin Franklin
impersonation, Ralph Archibald
reigns supreme. A Franklin
portrayer for more than 25
years, he has inspirited the
most beloved Founding Father as
far back as the United States'
bicentennial celebration in 1976
and appears on track to be the
preeminent Franklin for BF's
300th birthday in 2006; in
Philadelphia, the de facto
capital of Franklin portrayal,
Archibald is affiliated with the
Friends of Franklin and is the
official Ben of the Franklin
Institute. He spoke with us from
his home in the City of
Brotherly Love.
Wasn't there a story in
the Philadelphia-area news
media a few years ago,
claiming that you had a
rivalry going with another
Franklin?
I don't know if that's
accurate. There was a
gentleman named Sam
Kressen who played Ben
Franklin. He was very
good, very knowledgeable,
and he was a good friend.
There were people who
wanted to make it into a
feud and it really wasn't.
There are people who are
always trying to make it
into a rivalry between
Franklins, and I don't
think it is. [Kressen] and
I were friends, and we had
markets that we served.
Is there a division of
labor between people who
do the happy-go-lucky
Boston Ben and people who
do the Philadelphia Ben
the moralist and
inventor?
There are people from
Florida to Wisconsin
all over the country
who are making the memory
of Franklin live, and I
think that's important. I
just turned a job over to
someone in the Boston
area, although I do some
things around the country.
But I have so much to do
here in Philadelphia that
it's hard to get away.
There are always actors
who have a wig and a
costume whom I can hire to
do meet and greet. What I
cannot hire is people who
are good speakers and who
are knowledgeable about
Franklin. I have the
speaker's credentials,
because I do it as a
speaker, not an actor. Sam
Kressen was wonderful; he
must have played Franklin
in 1776, oh, hundreds of
times. And he was great.
There was another fellow
here who did Franklin for
35 years. He walked around
Independence Hall, posed
for pictures with families
from all over the world,
and made a lot of people
very happy. I don't know
how knowledgeable he was
about Franklin, but he was
a wonderful guy, and he did
it until he passed away at
age 81. He was quite
short. Franklin was
five-10; he was quite a
bit shorter than that. But
he made a career of it.
Are there any Franklin
portrayers out there whose
acts you don't approve
of?
Oh no, I like them all.
It's a good thing that
people are portraying
Franklin and that his
memory is kept alive.
Everybody does it a little
differently, and that's
good. You know, every
portrayal is the personal
feeling of the person
portraying Franklin so I
don't think there is an
inappropriate portrayal. I
may not be comfortable
with someone who makes him
look like a clown, but in
a way, Franklin was the
country's first humorist.
Whatever someone does, it
excites people to learn
about Franklin, and that's
important. One of the
great things about
Franklin is that everybody
loves him. I can walk down
any street. I once stepped
on a plane that was
bringing 130 Soviets to a
conference here, and when
I said, "I'm Benjamin
Franklin and I want to
welcome you to
Philadelphia," a cheer
went up. They knew
Benjamin Franklin.
Japanese people know
Benjamin Franklin; they've
heard the sayings.
Universally, Franklin is
somebody people identify
with. He wasn't one of the
elite; he was one of the
people. And they love
Franklin.
Does his not wearing a
powdered wig give him a
leg up on the other
founding fathers?
That's important, because
Franklin was part of the
new America, not part of
the old establishment. He
wasn't landed gentry, he
wasn't the social elite,
he was the everyday man
the printer, the
publisher, the bookbinder.
He started a hospital; he
set up a charitable school
and a science academy. He
helped set up a library
and fire department. He
was involved in all the
civic activities. He could
talk as easily with the
man sweeping the street as
with the leading banker.
Here was a man who was
respected by all because
he treated all with
respect. He said, "The
noblest question in the
world is, 'What good can I
do in it?'" That
philosophy made Franklin a
person who was looked up
to, a person who was
loved, and a person who is
still loved.
Over the last few years
Founding-Father sex
scandals have been on the
rise: Jefferson and Sally
Hemmings, George
Washington and "Venus."
There's even a rumor that
Abe Lincoln might have
been a closeted gay man.
Do you think it's possible
that they'll try to get
Ben the same way, and if
that happened, how would
you respond?
Oh sure they would try to
get him the same way.
Let's face it: We were
people. You tend to look
at the people at the start
of this nation as
demigods. We were not.
These were people much
like the people today.
People think we really had
this unique situation that
wouldn't arise today, with
all these wonderful minds
together. But these minds
are here today. The people
are here today who could
have risen to this
occasion. What happened
was that, in writing the
Constitution, we resisted
a temptation to etch the
government in stone. We
realized that the country
would grow so we would
give you a constitution,
but we'd give you an
orderly manner in which to
change the government.
Do you ever make up your
own Poor Richard
aphorisms?
Not really. I pretty much
stick to what Franklin
did. I might vary some:
"Early to bed and you'll
miss all the fun: Stay up
and enjoy yourself while
you're here in
Philadelphia." That's
about the extent of it.
Very few of those sayings
were original. He
collected them from
reading, from friends,
from the community. He
collected the wisdom of
the ages, which each
generation has to restate
in its own language. A lot
of people get upset when
they hear young people say
things that don't sound
familiar. But if they look
deep, it's the same basic
truths that each
generation has to
discover.
Are there any bawdy Poor
Richardisms?
Well, Ben Franklin wrote a
couple of letters. There's a
little volume called Fart
Proudly that's not
Franklin's title, but he
wrote an essay on gaseous
emissions from the nether
part of the body. It was a
spoof of the learned
scientific papers of the
day. He said, "Well, if we
can find a food that
causes a disagreeable
odor, maybe we can find
one that causes a pleasant
odor and perfume the
entire world." In that
volume, there's also a
letter he wrote to a young
man on choosing a
mistress. He said to
choose an older woman....
That's the one with "All
cats are gray in the
dark?"
Right. "We age from the
top down ... The parts
that are of most interest
are not really affected
much by age." Again, these
were satires of certain
situations.
So Franklin worked clean.
"It's all pink in the
middle" isn't his line?
Right. If you look at his
stuff in terms of
bawdiness, it's not really
bawdy compared to what's
around today.
Do you visit a lot of schools
these days?
I don't do as many as I
used to, because I do more
corporate meetings and
conventions. I used to do
a lot of schools. I did
287 schools one year. The
school market is one I
love. I love the schools
because they're so
receptive and the message
is important. I've done
about 4,000 schools, and I
hope other people will
take up that.
Are kids today more or
less knowledgeable about
Franklin than they were 20
years ago?
I don't know that they're
more knowledgeable. But
the important thing isn't
knowing what Franklin did,
but the fact that he did
it. And knowing that they
can do it too. They can
invent things. They can be
a part of their community
and their government. My
message is, "You have the
same skills to do what
Franklin did."
So you don't agree that
kids are getting dumber
every year?
I really don't think they
are. I think when you look
at how on top of new
technology young people
are, it's exciting. And
Franklin would have loved
the new technology. The
important lesson is that
it's not just for you,
it's for the future.
Have you walked through
the big heart at the
Franklin Institute?
Yeah, I love that heart.
In costume?
Oh yeah, I've done it in
costume.
How Franklinesque are you
when you're not in
costume?
Well, I look a bit like
Franklin, and now I just
wear the bifocal
spectacles that are of the
style. So even when I'm
not in costume, people
recognize me. But I have a
nice apartment and I live
a modern life.
What public figures out
there have the "Franklin
look"?
You mean famous people?
Yeah, maybe James J.
Cramer of TheStreet.com?
Anyone who is a bit older
and has a bit of a paunch
can do the Franklin look.
Man or woman.
Do you ever pull that
"Which president is on the
$100 bill" trick?
I don't do that trick, but
I talk about being on the
bill. And I do a technique
about people's perception
of Franklin on the bill.
The nice lady at the
Friends of Franklin said
Franklin portrayers will
be hot come Franklin's
300th birthday in 2006.
What do you have on deck?
It's definitely going to
be hot in Philadelphia. A
few years ago, I got a
call from a man who said,
"I've been asked to do a
pilot for a TV show about
Franklin, and I've never
done Franklin before.
Would you mind if I came
out there?" So we sat for
about six hours and talked
about how he was going to
portray Franklin. And when
I asked how he got my
name, he said, "They were
considering you for the
part." Of course, I said
I'd never heard about
this, and he told me:
"That's not how they work.
They needed a bankable
name." Now his name is
David Ogden Stiers. He
played Winchester on
M*A*S*H. So we had a
delightful time talking
about his Franklin
portrayal, but they needed
a name that would be able
to raise money, and of
course, mine wasn't but his
was.
So when one of the
other Franklin portrayers
says, "In 2006, you or I
will portray Franklin in a
movie," I say, "No, we
won't. They'll find a
celebrity with a bankable
name to do this." Sure, in
Philadelphia everybody
knows I do Franklin. But
if they want somebody to
do a television movie,
they'll get a Tom Bosley
or another celebrity who
can play Franklin. And
anybody who has a little
bit of age can do
Franklin. And that's the
wonderful thing about
Franklin.
If we had ever read any of those
"Great Broadband Giveaway"
articles, we might be more
worried about the media
concentration represented in
Viacom's acquisition of CBS. No
doubt, Stooge to the Stars Ken
Auletta will provide us with a
primer on how the two fiery CEOs
can possibly make their
odd-couple relationship work!
And the master plan in
which "youth-oriented" Viacom
will add vim to the Tiffany
Network 's menu of gerontainment
creates the neat prospect
of 76-year-old Sumner Redstone
presiding over the Teening of
America (not to mention the
tempting possibility that David
Letterman will do the Classy
Thing and drive his bad self to
the glue factory). But with our
eye for the sleeper clause, we
can't help noticing that the
deal requires Viacom to give up
most of its stake in UPN, which
the media giant co-owns with
Chris-Craft. Whether that means
the netlet is going up for fire
sale, we can't tell, but while
we've got the floor, we're
putting in an open bid on all
the unseen episodes of the horrific
1998 flop The Secret Life of
Desmond Pfeiffer, which we still
have a hunch is the greatest TV
show we've never seen.
"While I've been saying for some
time that the arms race of
bigger and badder rides would end
in tears, it's not the sort of
prophecy that makes me happy
when it is fulfilled." So says
Dan Howland, proprietor of
Journal of Ride Theory: The Zine
About Amusement Parks, whom we
contacted for a quick judgment
about the Summer of the Killer
Rollercoasters. While we're less
confident than Dan in the
ability of regulators to offer
any safety guarantees beyond
what we'd get from the pustulant
pothead who snaps our safety bar
into place, a few of his
statements would give anybody
pause: "New rides are being
brought to the market faster
than I've ever seen in amusement
park history, leaving me with
doubts as to their safety
testing during the development
phase.... To give one example: I
was on Big Thunder Mountain at
Disneyland once, and the train
stopped on the second lift hill.
The reason it stopped is because
it has sensors in the track
which won't allow more than one
train in the same segment of
track. Well, the kid running the
ride screwed up, but the
automatic braking system saved
our asses. Which is reassuring,
until you realize that there is
minimal government inspection of
those breaks, and I have to put
all my trust in people ... who
lobby for even less inspection.
So, knowing what I do, just
sitting there waiting for the
ride to start again was much
scarier than any roller
coaster." And after a summer in
which six riders amused
themselves to death, who can
argue? Still, it's hard to see
how this culture of risk we keep
hearing about can keep huffing
along if there are no real
consequences. As it happens,
this week marks the 25th
anniversary of Evel Knievel's
abortive leap of the Snake River
Canyon Gorge a failed
superstunt to which the nearly
universal reaction, even in more
civilized days, was "Yeah, but
he still lived." Back then,
Americans knew that a big
country needs big disasters.
When you're flirting with snuff
amusements , you can only play
hard to get for so long. After
that, you might as well just hop
on It's a Small World.
According to literary
historians, the world's oldest
parody is a giddy romp called
Batrachomyomachia, or The Battle
of the Frogs and Mice, wherein
the wee warriors act out,
Homer-like, sieges and such.
About the funniest gag in the
piece is rendered by one
translator as:
The fatal javelin unrelenting flies,
And darkness seals the gentle croaker's eyes.
The Greeks didn't have paper, so
we can hardly blame them for
this sprained exercise in "funny
substitution" comedy. But is it
really true that, a few
millenniums later, the best
parody we can muster is "The
Blonde Witch Project"? Trimark
studios, which has acquired four
Blair Witch parodies as content
for its "TK" CinemaNow site, has
talked up the "Internet angle"
of its play, noting the role the
Web supposedly had in promoting
the original. But the only
technological advance in
evidence is in the
algorithmically generated
titles, the woodenness of which
suggest the absence of the human
hand: There's also "The Griffith
Witch Project," "The Watt's
Bitch Project," and "The Big
Foot Project." Come on, you can
play too just think of
something that rhymes with
witch. Sorta. (We volunteer:
"The Mare Hitch Project" a
western and "The Fair Ditch
Project" about three
amusement park workers.) The
Hi-8 Yankovics behind these
various projects aren't the only
ones taking aim against the
scourge of originality. Variety
notes that five other Blair-"inspired"
spoof scripts are currently
making the rounds. This,
combined with the buzz about
MTV's own Blair Witch takeoff,
suggests that the critics were
off the mark in predicting what
kind of impact the
Method-directed movie would
have. The Blair Witch Project's
aggressive originality and
guerrilla production were said
to be setting an example for
studios who in the last year
commissioned a record low number
of original scripts. Blair's
monstrous success, the optimists
believe, have made inventiveness
attractive again. Even the
pessimists believe the legion of
imitators would merely bore us
with faux-vérité
tapes of their lame ideas. The
raft of parodies just proves
that, when somebody else
supplies a theme, the smotherers
of invention don't need ideas
at all.
After witnessing Hillary
Clinton's sorry effort to out
herself as a Jew, we're
heartened to see that the tribe
may get to reclaim a member who
has some actual use. Only a year
after his 60th birthday,
Superman may be returning to his
creator. It seems, using the
most incomprehensible of
copyright laws, the family of
Jerry Siegel, Man of Steel
co-creator, is fighting to get
the rights back where they
belong: in the hands of the
author, or at least in those of
his wife and daughter. And these
rights mean not only revenue but
the potential to market Superman
in any way they want, just as DC
Comics has done for the last 60
years. While it is certainly
just that the 130 bucks DC
originally paid for the
copyright to Superman in 1938 is
finally getting some return,
we're reminded of the probably
apocryphal tale of how Siegel's
equally shrewd partner Joe
Shuster at the time
working as either a janitor or
messenger boy, depending on the
version of the story was
once personally booted out of
the DC Comics building by the
company's president. The story
goes that the anonymous
president found the sight of the
down-on-his-luck author simply
too pathetic to endure. And as
it happens, Suck's founders, who
sold the rights to their own
property for $24 and a case of
J&B, get exactly the same
feeling when visiting the Wired
offices. The critical
difference is that the Sucksters'
poor work ethic and low
standards of hygiene tend to
rule out any future in
janitorial work.
courtesy of theSucksters
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