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"a fish, a barrel, and a smoking gun" |
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Despite our determination never to face a holiday without a thermos full of
Rob Roys, we
always try to remember the true meaning of Memorial Day. This year, in
addition to honoring America's fallen veterans, we'd like to take a moment to
honor America's fallen industries. We wish to do so with an article that is itself
something of a memorial: specifically, The Inconspicuous Consumer's eulogy to Milwaukee's defunct Pabst Brewery. This article, along with many more fine pieces of journalism, now gathers family heirloom value in our archives; but like the cemetery at Arlington, it's one of those national treasures you know you don't visit nearly often enough.
A bit of American history came to an end on October 17. The Pabst Brewing Company, citing years of red ink, announced that it will soon close its Milwaukee brewery - the oldest major brewery in the nation, dating back to 1844 - and contract out its meager remaining production to the G. Heileman plant in La Crosse. With Old Milwaukee and Schlitz ("The Beer That Made Milwaukee Famous") having abandoned the city in years past, along with hordes of smaller Milwaukee-based brands that either left or fell by the wayside (Remember Weber's? Of course you don't), Pabst's departure leaves Miller as the sole remaining major brewery in a town once considered synonymous with beer.
The decision to remove Pabst from its own brewery and job it out to a rival facility will reduce the brand to nothing more than a logo on a can. This fate, already suffered by a caseload of other beers (Schmidt's, Rheingold, Black Label, Hamm's, Colt 45 - the list reads like the inventory of a fraternity fridge, circa 1974), is sorry news both for those depressed by the snowballing market consolidation in so many American industries and those, like myself, who got ripped for the very first time on Pabst. In retrospect, Pabst's fate was probably sealed tighter than a non-twist-off bottle cap back in the mid-'80s, when the brewery was purchased by a California conglomerate that essentially ran the company into the ground. Advertising and promotion were nearly eliminated at first, and then restored ever so barely on a regional basis. If you remember the "What'll Ya Have...?" campaign, you're older than you look (and have watched way too much televised football besides); and if you remember the more recent "PBR Me ASAP" campaign, then you must live in the Midwest, because it didn't play anywhere else. And by then, Pabst's distribution didn't get much beyond the Midwest, either. Interestingly, the news of Pabst's demise has coincided with a curious elevation of the brand's profile in some unlikely places. In the indie film Trees Lounge, which opened mere days prior to the Pabst announcement, assorted characters guzzle a great many cans and bottles of beer - almost every one of which is a Pabst. Another recent indie flick, Palookaville, features Pabst exclusively. While the beer's previous appearance in indie cinema no doubt ingratiated it among Oedipal fetishists and gas-huffers alike, neither Trees Lounge nor Palookaville seems destined for Blue Velvet-style cultdom, and they both lack lines which deliver the mnemonic rhythm of "Heineken? Fuck that shit! Pabst Blue Ribbon!" In any case, it all adds up to one of the more inexplicable product-placement trends in recent memory.
Of course, Pabst's cinematic resurgence probably owes more to coincidence, or to the respective directors' drinking tastes, than to an orchestrated marketing effort by the brewery. Calls to the two film studios and to Pabst were unavailing, but it's tempting to speculate that these low-budget productions may offer a window into the business mentality that held sway in Pabst's waning days. Perhaps the brewery, its promotions budget down to next to nothing, was desperate to establish a toehold in Hollywood but could only afford to buy itself screen time in small, independent projects. Or maybe Pabst, in a daringly calculated but tragically misguided attempt to connect with new demographic segments, decided to develop a new hipster-chic image by establishing a presence on the art-film circuit. Picture it: two tickets for Secrets and Lies gets you a coupon for $1 off a medium popcorn and a PBR draft. If so, it's safe to say that such wrongheaded expenditures only hastened the brand's demise. Meanwhile, with Miller now the only major brewery left in town, Milwaukee's baseball team - the Brewers - is saddled with a name that is quickly becoming obsolete. Perhaps the Brewers, whose home games feature the antics of one Bernie Brewer, a character who celebrates home runs and victories by sliding down a ramp into a giant mug of beer, should consider an alternate name. Harley-Davidson is still headquartered in town, so how about the Milwaukee Hogs? Or maybe the Milwaukee Brats, in honor of the city's sausage-driven culinary culture?
According to Laurel Prieb, the Brewers' vice president for corporate affairs, no such changes are in the offing. "So much of a team's name is really built on history," he explained. "Even if the Miller Brewing Company, hypothetically, were to leave, you could make a strong case that the heritage of southeastern Wisconsin is so well-tied to the beer industry that the name makes all the sense in the world." If you dispense with the mushmouth equivocating, Prieb is essentially admitting, "We've still got a lotta drunks in this town, ya know what I'm sayin'?" Fair enough, but Prieb has his own reasons for retaining the team's moniker - after all, the Brewers' new stadium, which just had its groundbreaking ceremony and is slated to be ready for the 2000 season, will be called Miller Park. Memo to the outgoing Pabst execs: Now that's a product placement. courtesy of The Inconspicuous Consumer |
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