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"a fish, a barrel, and a smoking gun" |
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If there is one federal employee more absurdly titled than the US Surgeon General, it is surely the US Postmaster General, currently one William J. Henderson. While General Henderson does not bear the physical humiliation of sporting a Cap'n Crunch uniform at all public (or, one suspects, private) functions, he nonetheless commands a ragtag army of low-output, high-maintenance employees whose chief contribution to the last years of the American Century has been to displace psycho Vietnam vets and flower-wielding Hare Krishnas as a locus of fear among the civilian population. Little wonder, then, that the nation breathed a collective sigh of relief when the mail's commander in chief, like Rommel after the Normandy invasion, admitted recently that the end of the Postal Service's government-granted monopoly on first-class mail was in sight. Such a happy development is partly a function of technology (the Postal Service defeatedly concedes most faxes are already substitutes for letters; email and electronic billing have also increasingly allowed people to bypass the mailbox) and partly political (even a porkchopped Congress can't be expected to enforce an unpopular monopoly forever).
While not exactly guaranteeing to bring the boys home in time for Christmas, a dispirited General Henderson did the next best thing: He signed a test
agreement that would let the chain essentially operate as a full-scale post office in 11 urban areas. Admitting that an operation as execrable as Mailboxes Etc. - formerly best-known for charging Weimar Republic prices for bubble wrap and packing peanuts - would be a clear step up from the USPS is itself the equivalent of an unconditional surrender. As the fourth-class box office of mailman-oriented cinematic bombs like Greg Kinnear's Dear God and Kevin Costner's The Postman suggest, perhaps the only person in America fully satisfied with the Postal Service was Theodore Kaczynski, who no doubt disdained FedEx's and UPS' easy-to-use computer-tracking software and who seemed to be in no particular rush to see his packages delivered to the correct address. Pity poor Costner for not realizing that the average moviegoer's post-apocalyptic idyll is precisely a world without a USPS. While the American moviegoing public can deal with - indeed, will flock to see - an imaginary world in which damn, dirty apes have evolved from humans, it simply cannot stomach the notion of a massively irradiated future in which a descendant of Cheers' Cliff Clavin, Seinfeld's Newman, and Son of Sam killer David
Berkowitz but has metamorphosed into the last action hero.
There are, of course, obvious and not-so-obvious reasons for widespread disgust with the Postal Service - an attitude, interestingly, that extends to the federal government itself. Since 1990, whenever the Feds have wanted to make absolutely, positively sure that a priority package got somewhere overnight, they've turned not to their own USPS but to Federal Express, which delivers both better rates and better on-time performance. While the Postal Service's willingness to be an official sponsor of the Olympics may make Americans swell with national pride every four years, the benefit of such image advertising is more than offset by more frequent discoveries of yet another cache of undelivered, urine-soaked mail in the apartment of a postal employee. Indeed, such image ads - not to mention sad-sack
initiatives and Letter Writing Week ("Letters express the thoughts and feelings that have shaped civilization") - are routinely undone simply by the next lunch-hour trip to any post office. Beyond questions of lost and damaged mail (and even more lost and damaged employees), the USPS is almost brazenly O.J.-like in its willingness to court bad publicity. After a few years of actually eking out operational profits, it proceeded to lobby for a postage increase. Earlier this year, it gave the equivalent of a 21-gun salute to outgoing Postmaster General Marvin Runyon, spending over US$100,000 on a goodbye dinner, including more than $3,000 to cover the expenses of actor Karl Malden, who served as the evening's emcee. That the Postal Service would bestow such largess on a fellow who undoubtedly would have been happy to bus tables in exchange for leftovers speaks volumes about large-scale organizational dysfunction.
As does the USPS' penchant for offering the customer everything but courteous and reliable mail service. Rather than dazzle the public with, say, weekday hours that extend past 5 p.m., a full-day operation on Saturdays, or a public flogging of Karl Malden, the Postal Service has taken a different tack, one designed to cash in on the "corporate branding" and "franchise extension" crazes. It has plastered its walls with cartoon characters shilling everything from Bugs Bunny Postal Cards ("That Wascally Wabbit is back! And he's all yours! While supplies last") to Sylvester and Tweety Character Profiles ("Jumpin' Jupiter - What a Stamp!") to movie-monster mouse pads. In a curiously past-tense tribute to the courageous men and women of our mail system - "Heroism was not limited to those who rode the plains and flew the skies, but was shared by those who braved our streets through rain, sleet, and snow" - the USPS also offers such gotta-have items as Holiday Tree Boxers, "clerk vests" in denim or wool, "postal blue" T-shirts, and an entire line of Pony Express wear (the last being a particularly ironic tribute, since the USPS helped run the competing Pony Express out of business). Such mercantile shenanigans duly inspire contempt, but the root cause of public disaffection ultimately stems from that which allows the Postal Service to continue existing: the monopoly on non-urgent first-class letter delivery. Though the USPS no longer receives direct operating subsidies from the federal government, all analysts agree that this guaranteed exclusive franchise (which also gives the Postal Service sole access to residential mailboxes, among other perks) is the service's cash cow, subsidizing, among other things, its laggard effort to compete with FedEx and UPS in the potentially lucrative overnight delivery business. But as F. Scott Fitzgerald - a man with the wisdom and will power to drink himself to an early and obscure death - once suggested, Americans may be peasants, but they resent being serfs. Choice, even the relatively tiny choice between DHL and RPS (or, in Fitzgerald's case, champagne and scotch), matters.
As evidenced by their latest image campaign, the Postal Service powers-that-be recognize the desire for self-determination and have, like an uneasy military junta, tossed the public a bone, one that merely revisits the territory of no-choice explored some years back with the infamous Fat Elvis/Skinny Elvis vote (that the latter won is prima facie evidence of ballot stuffing). Hence, the ongoing Celebrate the Century program, in which customers are asked to vote for their "favorite" stamps of the 1950s through the 1990s from a set number of choices. Begun earlier this year, the postal plebiscite is currently collecting votes on the 1970s: "How do you picture the '70s? Is it polyester? Women's Rights? Sesame Street? Or the the CB radio, good buddy?" Among the other definitive choices: the Bicentennial, A Chorus Line, jogging, and The Oakland A's. As with most rigged elections, no write-in votes are allowed: no Herpes Scare, Three-Mile Island, Deviated Septum, or Nelson Rockefeller Busts Blood Vessel While Banging Mistress need apply. While such postal perestroika is an attempt to pacify an increasingly disobedient public - one that is as dedicated to writing conventional letters and cards as it is interested in buying "postal blue" T-shirts - such initiatives merely underscore what good old General Henderson has already granted: The end of America's occupation by those "heroes" who "braved our streets through rain, sleet, and snow" - in other words, employees who, like the rest of us, show up for work on a semi-regular basis - is not a matter of if, but only of when. And we're betting on two to three days, one week at the latest, with a small possibility of never, and a strong likelihood of whenever - no guarantees. courtesy of Mr. Mxyzptlk |
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