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"a fish, a barrel, and a smoking gun" |
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Trimming the Hegemony
Oh, Canada. Our good neighbors to the north have the best intentions, but they just keep losing their page in the script of world history. Late last month, Canadian culture minister Sheila Copps invited colleagues from 40 countries to attend a special conference in Ottawa. The purpose? To ceremoniously declare war on America's "cultural domination" of the planet. According to the Los Angeles Times, this confab grew "out of increasing concern ... that what millions of people around the world watch and hear is determined by a small number of executives in Los Angeles and New York." This is alarming, because what people used to watch and hear was determined by a small number of feudal despots in Rome and London. These days, though, everyone's a critic. Even high-ranking figure heads, with no apparent critical skills beyond discerning which butts to kiss to get appointed. Sadly, the United States was not invited to the conference. If we actually had the equivalent of a cultural minister (or, for that matter, a culture), we might have argued that we're simply sharing the wealth. Consider it the noblesse oblige of
syndication of the world still seems to lack the reservoir of cultural resources it takes to produce their own timeless art on the order of, say, Baywatch. Is it our fault the best Canada can come up with is Gordon Lightfoot, Moosehead, and the Red Green Show? Our friends in the Olde World are quick to cite the delusion that they have their own rich cultures, traditions, and histories. That's not all; we're supposed to believe that Tony Danza sitcoms threaten to bring Western Civilization crashing down amid anguished cries of Wer ist hier der Boss? Still, the European approach to cultural diversity has typically led to either holocaust or hooliganism, so we consider badly dubbed reruns of Hogan's Heroes - surely Hollywood's proudest moment of genteel internationalism and gutsy historicity - a kind of pacifier worth its weight in Euros.
The French, of course, are a proud people. But their reluctant fascination with all things American endures. Disneyland Paris and its "Mainstreet USA" is just a short sally from the Eiffel Tower, and it's been wildly successful. The only real glitch has been a telling clash of work cultures. As it turns out, what the French really resent is how hard Americans work, and the authentic way Disney tries to reproduce this in their theme park. The New York Times reported last week that Disneyland Paris is being picketed by the French performers who play Mickey Mouse, Captain Hook, Pluto, and all those other noble Disney roles that keep aspiring actors off the dole. The French are striking for more pay, saying they earn only slightly more than minimum wage for such demanding work. Euro Disney executives are quick to point out that French law requires all companies to offer their employees five weeks of paid vacation per year - five weeks, fer chrissake! - and this justifies the compensation they receive. Knowing how shrewd Michael Eisner is, and how casual the French are, we have little doubt they'll find an easy compromise. Perhaps "paid vacation" can become the actual job description, and they can log a little R&R right there in the workplace. Since they're French, they're not really working anyway, right? In reality, Disney's giving 13,000 French "employees" a free pass and some walking-around money. Now that's transnational symbiosis. It's possible the Disneyland Paris strike was just a ruse to spend more time at the soccer stadium. Hard as it may be to believe, the French have been distracted by something other than wine, cheese, bread, and philandering in the past four weeks: Against all odds, their squad made it to Sunday's World Cup final against Brazil - and then actually won. Despite their chronic diffidence, obsequiousness, aloofness, or whatever the hell's wrong with them most of the time, the French are giddy with an unsuave
brand (Soccer and nationalism? How bourgeois!) After all, the World Cup was originally their idea, Parisian dilettante. (They're slightly less proud of the fact that it took them seven decades to even get to the championship.) Anyway, the World Cup should be proof enough to the French, the Canadians, and anyone else that the United States is still capable of being terminally incompetent, irrelevant, and uncool. Ironically, it also proved how uncool the violently chic French can be - and get away with it. Who would have thought a prematurely balding man with sideburns would seal their victory on the field of play?
For our part, it's a unique brand of consolation knowing that Americans don't do anything half-assed - that when we suck, we suck the hardest. So here's evidence to refute the culture ministers of the world: Not only is humanity's most beloved game something we can't do, but we had to make up our own nonsensical name for it as well. Still, there's cause for concern. Back home, there's a crisis brewing over our poor showing in France, because it reflects badly on one of our proudest institutions: Soccer
Motherhood continue to enjoy all the perks and privileges of being a bona
fide American demographic don't seem to be producing any soccer pros. It hardly matters, though. Anyone who watched more than 10 seconds of any random World Cup game knows who the real
winners Nike and Adidas. The event was branded ubiquitously, most prominently with Phil Knight's All-American juggernaut. Not only did Nike supply nearly every team with uniforms, cleats, and goldenseal, they completely underwrote the Brazilian team. You could say they were just covering all their bets. Or you could say they've taken the concept of the overseas sweatshop and upscaled it considerably, to include professional soccer teams.
If the rest of the planet isn't taking potshots at us from some cheap Holiday Inn in Ottawa, they're capping our ass on some vacant lot in France. In spite of these indignities, we'll persevere. We don't mind losing on the field of play, if it means we can monopolize the marketplace. To the rest of the world, then, we offer once again a paraphrase of the Harvard cheer: "It's all right, it's OK: You'll work for Nike some day." courtesy of E. L. Skinner |
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