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"a fish, a barrel, and a smoking gun" |
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Hit & Run CXIV
In a bold and visionary announcement, The New York
Times advertisers that they would be able to buy more ads. The reason? The Future. The new "Circuits" section, laden with four punchy, reeking colors, is designed to report "with wit and verve ... every Thursday on the countless ways that technology affects our lives, both on the job and at home. If it has a chip in it, Circuits will report on it...." Our use of technology, as New
Yorker thinker Karl Marx opined, sets the stage for the conditions of our lives and therefore for our big fat ideas, so it's certainly appropriate to talk about it once a week. But as those in cultural studies like to ask: Why this? Why now? Was the Times marketing department struck by the importance of chips after reading that Intel's Andy Grove was Time's man of the year because he invented the transistor, or, um, at least was one of the guys who sort of helped improve it into a microchip and one of the countless number who capitalized on it and (closer to home) the main guy who got brand recognition for it - recognition for having achieved recognition? (The joke being that all of this would have happened in exactly the same way whether or not one uniquely bold and visionary CEO or another ended up doing it - that way, Grove, as the replaceable poster child for individuality, actually stands in for his own generic nature.) Nevertheless, these truths we hold to be self-evident: 1) Tech brands advertise a lot so as to achieve recognition, and 2) chip-bearing gizmos are important - technology being the bona fide El Niño of contemporary cultural change. And so the Times recognizes these facts, which amount to the proverbial good thing when you see it, with a new section. And, in turn, Suck recognizes the Times, pausing briefly only to wonder whether the microchips on our shoulders will earn us placement above the fold, below the fold, or face-down in the gutter. If American culture is truly the deep-fried peanut butter and
banana sandwich to be, it wasn't until last week that we realized Suck could be anything more than a cream soda chaser. We came not to praise Chris Farley but to bury his vast carcass. No sooner had our eulogy appeared, though, than fat acceptance kicked into high gear. In US News & World
Report Robert Pritikin launched a Freudian pigout against his father's legacy, Jacques Pepin asserted that carbohydrates are the real enemy, and the New
England Journal of Medicine quoted as warning, "The cure for obesity may be worse than the condition." Surgeon-General-for-Life C. Everett Koop sniped at the NEJM's "complacency in the face of this growing epidemic," but that didn't stop a Martinez, California, judge from sparing Marlene Corrigan felony child abuse charges - despite the sinister, Seven-like conditions (covered with feces, urine, bedsores, and takeout boxes) under which Corrigan's 13-year-old, 680-pound daughter died. But the Rubenesque
Bacchanal late in the week, with reports that Roseanne's divorce from endospouse number three Ben Thomas was prompted by Thomas' unquenchable lust for the mercurial grande dame. Meanwhile, anecdotal evidence suggests the US debut of the misshapen Teletubbies is more eagerly anticipated than the mostly (though not entirely) cellulite-free Spice World. While we wait around, watching and weighing the possibilities, we're sure we're approaching a tipping point. The only question is how hard it'll fall, and on whom. An authentic fiberglass copy of a Titanic lifeboat used in the sinking scenes of the James Cameron epic. US$25,000. (It's not seaworthy.) Knit cotton shirt and corduroy pants outfit with suspenders worn by Leonardo DiCaprio playing Jack Dawson. US$9,000. (There's only one.) Once content to pillage the history books for its nostalgia-fed catalog copy, J. Peterman is now selling real pieces of the fabricated past - actual period costumes and genuine reproductions of historical artifacts from the set of Titanic, complete with a certificate of authenticity from the Twentieth Century Fox archivist. Sales have gone so well - most items have already sold out - that J. Peterman plans to introduce more movie-based memorabilia, including copies of props (the originals are long gone) from Out of Africa, and clothing from the Avengers. Of course, unlike Titanic or Out of Africa, the Avengers has no basis in historical fact, but the turtleneck is a timeless classic, especially after it's been worn by Uma Thurman.
While stone-hearted misanthropes may dismiss Internet romance as the pathetic simulacra of endomorphs, agoraphobes, and the unhappily married, who else would fail to be moved by the following tale of technology-aided ardor? Last Sunday, a 22-year-old Southern California chat room Casanova, despondent over a rebuke from his Australian-based online paramour, was presumably spilling his guts in a chat room to any female-identifying presence willing to offer sympathetic emoticons in response. But when one woman interpreted his talk of suicide as an actual threat rather than the usual online pick-up banter, she called the authorities. Because the man had, in the course of his lamentations, promised to log off from this vale of tears for good should any officers try to come to his aid, the police were reluctant to approach his house. Instead, they decided to intervene virtually. Posing as yet another digital lonely-heart, a female dispatcher, under the guidance of a police supervisor, began speaking with a mercurial amoroso; the dispatcher was apparently so beguiling, the man completely forgot his mordant preoccupation with the Australian click-teaser, and agreed to meet his newfound love for coffee at a local all-night restaurant. Which is where the cops stepped in, of course, and hauled the passionate cyberswain off for three days of psychological evaluation, supervision, and no Internet privileges. courtesy of the Sucksters |
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