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"a fish, a barrel, and a smoking gun" |
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Who's Sorry Now?
What's the shelf life of an apology? When a 9-year-old mea culpa, scribbled in a moment of self-doubt by the free world's most renowned milquetoast, becomes an event worthy of the rapt attention of journalists, biographers, and historians alike, one begins to wonder. Our own recent brush with penitence aside, it seems as if the longer one waits to eat crow these days, the tastier one's Q-rating is likely to become. Even a short list of the recent belatedly sorry includes the French, the Catholics, the French
Catholics and the British. It seems like every major power is sorry for something - except maybe the Canadians, who are just plain sorry. Not that the trend has gone unnoticed. Walter Shapiro, John Leo, and the National Review, to name but a few, have all recently bestowed upon us dozens of glib aphorisms about atonement. In denouncing contrition chic, however, what their dim-bulb elucidations leave out is that apologies are not, first and foremost, about being sorry. Instead, apologies are fictions, fairytales, self-validating narratives addressed to others regarding our identity and relationships. The Apology, for example, was no apology at all, but rather merely the transcript of Socrates' closing arguments. This text, in turn, became the model for religious apologetic literature, testimonies of faith and belief cunningly voiced in the language of rational argument. Though occasionally penned in response to negative criticism (cf. Josephus, Moses Mendelssohn), religious apologetics are mostly useful for enforcing orthodoxy among the faithful (cf. TV Guide, the editorial page of The Wall Street Journal).
All of which is in perfect accord with the work of contemporary sociologists and linguists, who believe apologies are mostly about restoring social order and policing membership within moral communities. Think about it - when was the last time you personally refused an apology? Probably never: In a 1994 study published in the Journal of Social Psychology, it was determined that "the likelihood that an apology will be rejected is remarkably small, even when there is considerable provocation ... and even [when] the typical social consequences of rejecting an apology are absent." In an era when 51 of the 100 largest economies are multinational conglomerates, it's interesting that communications theorists have turned their attention to the corporate apology as well. Scholars have found that rhetorical strategies used in apologies made by corporations (Dow Chemical, Exxon, DuPont - you know, the usual gang of idiots) were almost exclusively intended as part of a larger, never-ending campaign of image-making. Plus, as Keith M. Hearit has noted, corporations almost always couch their apologies in the language of "technological restoration" and "managerial rationality," two myths at the very foundation of business culture's legitimacy.
And it's not just apologies that can give one good odor. Almost any kind of post-event candidness can turn slimelight into limelight. Witness the tobacco titans: By settling class action suits right and left in the US, they indemnify themselves and can thereby concentrate on foreign markets. Likewise the gun manufacturers, who, by getting out in front of a problem they could have solved years ago with a few bucks worth
of plastic President Clinton in the Rose Garden. Lest we forget, the element of egregious delay is important, too, since there develops over time an almost erotic tension between offender and offended. When the Pope, for example, apologized for the Spanish Inquisition after 500 years, he was hailed as a peacemaker. He also gets to bask in the knowledge that, by driving a certain Sephardic Jew named Christopher Columbus out of the country, he gave rise to the greatest bunch of alibi addicts the world has ever known. Give the Church another 500 years, and maybe they'll apologize for that, too. Delaying one's beg-your-pardons doesn't work in all cases - only the most appalling ones. In fact, the more ghastly the crime, the better. If a certain lugubrious TV critic, for example, were to come forward and say, "I'm sorry I ever thought Alien Nation was a good show," we would surely be relieved, but also largely unmoved. If Pauly Shore, on the other hand, were to apologize for Bio-Dome, he'd be swimming in guest shots and movie cameos for the rest of his life.
In a September New York Times Magazine piece intended to hype his quasi-historical novel Underworld, Don DeLillo wrote, "The novel is the dream release, the suspension of reality that history needs to escape its own brutal confinements." Can anyone except a novelist believe this anymore? History is not brutally confined at all. Far from it: Historical truth is now eternally on the lam from a nation of apologists, spin doctors, and data massagers. Like Reagan - that modern master of post-event candidness who is now both the same, yet also different, from the forgetful man he was in office - we sleepwalk through history and let others tell us how it was later, or rather how it wasn't. Fifty years hence, the newspapers we read today will be worthless, merely dumpsters full of apologies for historical truths they are now failing to tell. As for our position in the matter, we're hardly blameless. In fact, we're sorry we even brought it up. courtesy of LeTeXan |
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