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"a fish, a barrel, and a smoking gun" |
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You Can't Go Home Again
We didn't really plan for this week to be "The Best of Suck," anyway. It was just supposed to be reruns, or, in the parlance of NBC: "New to you!" So when a server hiccuped and we shot out days-old content for two days in a row, we just burped it and let it digest some more. We consoled ourselves with the realization that the (relatively) new piece which ran from last Friday to Tuesday - Suck's Guide to Writing for Online Magazines - was, in fact, better than the old stuff we had planned to run. Then again, as much as we like to pretend that selling out has been as good for our readers as it has been for our writers ... Well, sometimes the good old days are worth being nostalgic for. Today - from back in early '96, when Net Surf was just site reviews and Suck was something else. "Wouldn't it be cool, you think, if someone was able to graft together the loopy, day-glo utopias of Saturday morning cartoons with the spit and passion of cutting-edge rock and roll?" - MCA promo copy for Saturday Morning It may not take an advanced degree in mathematics to grok that nostalgia is the square root of irony, but only an MCA marketing squad would be desperate enough to prove the theorem in public. Whether Saturday Morning: Cartoons'
Greatest Hits point-of-purchase impulse item of Spring '96 is up for grabs - we're just hoping nobody gets a promotion for having thunk up this formulaic example of nobrainer emo-manipulation.
Conceptually, it's at least as sound as any given Bud Light commercial - if the "kids of today should defend themselves against the 70s," it's only because the kids of the 70s were too young to defend themselves from becoming witless Manchurian candidates at the sinister hands of Hanna-Barbara. Then again, any post-war generation will always have in common that effervescent sense of childhood wonder (for the enchantment of mindless consumption, at any rate). In theory, the transition to adulthood includes purging kneejerk idolatry from one's system - or at least, masking it through several layers of irony.
70s Saturday morning kiddie shows provide plenty of fodder for analytical slumming via half-digested French theory - almost any pseudo-sexual perversion born of the minds of Sid and Marty Krofft (evil Witchipoo lusting for little Jimmie's magic flute?!?) makes for an equally perverse enjoyment at the mouths of today's degreed slackers. But just because a whole generation was primed for a lifetime of zombification via repeat viewings of the Groovie Ghoulies - a generation which now finds comfort in the rationalization of its then-morbid fascination of same - doesn't necessarily guarantee a textbook Pavlovian response when confronted with the cereal bells of one's past.
There's no end to attempts at this sort of retro ploy - arcade game sound effects, breakfast cereal jingles, and quaint public service announcements (hanker for a hunka cheese, anyone?) might sound like great sources of nostalgia-laden material at the corner bar or Monday's marketing meeting, but after you go back and actually review the Schoolhouse Rock archive, you may find yourself waxing nostalgic for your memories instead of the "real thing" - or, more likely, simply shrugging your shoulders and buying yourself a Coke.
As with all sentimental sales pitches, the intangible being sold often evades effective packaging. In the case of Saturday Morning, the situation degenerates even further - not only do the covers fail to deliver on the dream of temporarily renegotiating one's childhood, they manage to rub the non-thrill in your face by extending the 30-second spots to carelessly bloated 4-minute epics.
It hardly bears mentioning that the songs themselves have a staying power unlikely to be matched by any of the artists featured on the disc - the line-up, a virtual who's who of contemporary one-hit wonders, will likely find that their musical legacy will not extend much further than their guaranteed slots on retro 90s collections sure to come. Sure, acts like the Ramones and Butthole Surfers may have more longevity than your average 90s Buzz Bin equivalent of Men Without Hats, but, as per standard tribute methodology, the exceptions only prove the rule - you shouldn't expect much beyond the familiar routine of also-rans performing the "hits" of has-beens. In light of the decades-strong success of K-Tel, we doubt the ilk of Saturday Morning will ever really go out of style, the experience of the present seldom matching the fog of memory in terms of sheer romance. But the behind-the-scenes perpetrators of these exercises in the obvious may find the heralding of their genius short-lived - we predict the producers and participants are doomed to soon be acutely nostalgic for their careers. But who wouldn't want to live in the past when the future promises the assorted members of Sponge, Wax, and Tripping Daisy lurking in Hollywood Blvd. backalleys, desperate for that old standby back-to-womb retro kick, heroin? If you're that desperate to dredge up shit from the past, we suggest a career in plumbing. courtesy of the Duke of URL |
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![]() the Duke of URL |
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