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"a fish, a barrel, and a smoking gun" |
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Welcome back. How was Burning Man? While everyone seems to agree that the day
In a post-1996 BM interview, Burning Man
In arguing that Burning Man needs to be more
That's what we thought last November. Did you make it to Burning Man this year? Did you hear it might be the last? Blowing up on Santa Ana winds from the L.A Cacophony Society, floating down from Portland like fog, the information fronts converge in San Francisco, resulting in a Burning Man rumor precipitate: Latest reports have the yearly festival relocating south of the border. Never fear: Burning Man has survived relocation before. Besides, moving to Mexico is the surest sign that Burning Man is indeed the New American Holiday. (Who knew that the giant sucking sound was really just a greedy inhalation of pot smoke and playa dust?) That, and the fact that you can't launch a search for "sell-out" (+naked people
+co-optation least a couple of sites devoted to this year's crypto-corporate festivities. Of course, the peculiar affinity of Burning Man's neopagan ritual and the oldest profession's latest incarnation as HTML
whore the web, picture archives from the Temporary Autonomous Zone threaten to outnumber postcards from the Magic Kingdom, and the haunting homogeneity of both the Burning Man images and the narratives that accompany them speak of product identity and quality control strong enough to make Uncle Walt thaw in his
grave this trick of self-branding (of a sort more Martha Stewart than modern primitive) that attracted the attention of way-new economists and MTV alike. The only thing that kept Burning Man out of Business Week was that no one would admit to making - or seeking - a profit. They'll come around. People have been trying to pass off self-marginalization as self-sacrifice for as long as media martyrs have been in vogue (well, at least in Vanity Fair), but it's hard for an artist to survive completely outside the mainstream unless he's actually dead. Unable to maintain cred without resisting interviews, unable to eke out a living without granting them, compromised creative geniuses are doomed to a press purgatory, the walking wounded of the alterna-wars. America's own Miss World said it best when she rode a threat - "You will ache like I ache" - to profitable promise, and a career résumé that can now safely drop dead references. No stranger to suggestions of sati, we wonder what the widow Cobain would make of recent self-immolations in India, the newly
crowned her curious, parallel curse to "make the world as happy as I am." Some argued that the police crackdown that accompanied the Miss World finals would only fan the flames of protest. Since the coronation went off without a hitch, we have to ask: Whose sari now? Apparently, the hotel housekeeper's. Irene Skliva, the 18-year-old Greek model who won the controversial crown, greeted reporters in clothes she copped from a chambermaid. It's a twist on the usual Cinderella story, but the traded trousseau probably isn't the kind of cultural exchange that pageant organizers were hoping to highlight. The businesses that brought these ceremonial pyrotechnics to the subcontinent couldn't have predicted the heated debate that would follow. Still, in a country that's seen disasters on a scale most Americans can only conjure in the context of fantasy (and even then, not terribly effectively), resisting cultural destruction might seem like a comparatively easy project; fighting the invasion of Pizza Hut and KFC, which sparked earlier exhortations to go extra-crispy, takes on only money and not the megacosm. What hotheads don't understand is that corporations are the new forces of nature, migrating to wherever the atmosphere is the most receptive, then changing the climate themselves. It's a feedback loop of emissions and permissions, and India's hosting Miss World was an attempt to pitch a tent amidst those gale force winds of change. Reuters reports that the competition did make some concessions to community standards, but the pageant officials' real interests were thinly veiled indeed: "In deference to Indian mores, the contestants wore long transparent skirts." Onlookers and organizers appear to have missed the point, if not the peepshow, for what India r eally has to fear from Miss World is not the "comm
ercialization of
beauty India is already well known) but the beatification of commerce, and the crafty way commodification disguises itself as entertainment or vice. Nothing actually changes about the event, you see - everyone's still naked underneath their clothes.
Defining themselves in contrast to the neon nightlife across the desert, participants at the domestic Burning Man like to think they're gambling with only their lives. However, the amount of energy, time, and money that goes up in smoke in the middle of Black Rock City is a ritual of excess that only late, really late, no-more-snooze-alarm-this-time capitalism could harbor. Affluence has given us the freedom to revert back to nakedness, but all it really celebrates is that we've got money to burn. courtesy of Ann O'Tate |
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![]() Ann O'Tate |
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