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"a fish, a barrel, and a smoking gun" |
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Doesn't Hurt Me a Bit
Unless you go all the way back to Peckinpah, Hollywood's violence has always been more visceral than visual. Hong Kong was always the place for the truly morally retarded action cinema fan, and John Woo ruled over the island with a pair of pistol-clenching fists. Woo's emigration to our fair shores was not unpredictable given the relative size of American audiences, and the uncertain
fate Still, in the heady days of skulking around Chinatown video stores looking for subtitled versions of The Killer and Hardboiled one never could have predicted that a traditionally styled Woo film would one day earn enthusiastic accolades from mainstream reviewers, and those
who would like to be reason we've come to expect as much online. But the print publications have caught us off guard with their newfound appreciation for such blood-flecked and blustery fare as Woo's operatic and over-the-top shootouts. Frankly, the mainstream media are scaring us. Not that everyone with a vanity
URL constitutional problems aside, those who are working to end street violence can at least be lauded for their good intentions. Still others who oppose or boycott onscreen mayhem in the belief that violent art leads to violent people are apparently unaware that to lump in pretend violence with the real thing (which shatters real bodies and real lives) is to minimize the latter, reducing the awfulness of violence to the level of oozing ketchup. Ironically, that's what the critics say of the filmmakers - and the filmmakers are not working alone. Now, on the Web, the tools of pretend bloodletting have gone from makeup to markup. The killing only gets more graphic - so to speak - from there. Many of us, of course, are not quite fulfilled by passive movie-house gunplay, yet are still somewhat shy about getting into the real thing. (Real-life gunfights tend to lose their glamorous appeal right around the "getting shot" part.) For those in this hazy twilight of blithe and self-destructive atavism, there's Quake, Duke Nukem 3-D, and the new king of all immersive carnage fests, Marathon Evil - the only game we're aware of with a rail gun, a nuclear mortar, and rockets with big yellow happy faces painted on the noses. The telling armament, though, certainly has to be the two-handed two-pistol configuration. Congratulations: You're now in the John Woo movie. What a country. Douglas Coupland "reported" in Microserfs that high-tech managers could ill-afford to outlaw office network gameplay, because it would be "catastrophic to morale for employees to not be allowed to hunt and kill their co-workers." But if life in the cubicle is wont to cause folks to forget that they are alive, is it possible that a few late-night hours of 6.64 deaths per minute (yes, Marathon provides that level of marble-hearted statistical analysis) might make us forget that we can also be killed? Who cares - as long the skill set is transferable. Thirty-one states now have right-to-carry laws permitting private citizens to carry concealed firearms for protection against criminals. Interestingly, it appears that all this firepower in the streets has resulted in less violent crime - rather than the Wild West shootouts at corner saloons anticipated by many. (As Robert Heinlein noted sagely, "An armed society is a polite society.") All this goes to show, at any rate, that Americans have evidently lost their faith in Uncle Sam's ability to protect them. Or perhaps they've just lost their interest in letting somebody else have all the fun of pulling the trigger. Though we do still like for The Man to throw the
switch and again. Maybe we're willing to let The Man pull the switch because there's nothing very sporting about strapping Tim McVeigh to a table and mixing him up a big pavulon-and-potassium-chloride cocktail (though it certainly churns the stomach less than the sport that landed McVeigh there). Still, it's not clear where throwing one more corpse on the pile makes up for any of this. For our part, we'd like to see McVeigh putting in about 95 hours a week for the next 10 years rebuilding the Murrah Building, followed by a few decades of yardwork, dishwashing, and house residing for the families of the victims. Unfortunately, there must be something very undramatic and viscerally unsatisfying about household chores, as compared to a hanging, never mind a lynching. Out in the Wild West of the Internet, vigilantism is the more than the norm, it's a high virtue. And with the Government Man having recently been tossed out of the Cyberspace Territories on his tokus, us lonesome online cowboys are going to have to fend for ourselves more than ever. Which is how we like it. Such a fearless frontier spirit is cheap to maintain, of course, when the prairie spans from MAE East to MAE West, with only vast
barren stretches in between. In other words, the prospect of incensed Netters following in the bloody footsteps of quickdrawing LA motorists is a happy impossibility. Even the worst flame wars are all hot air, the combatants separated by many pacifying miles - and staying out of such frays in the first place is entirely too easy. That's why God invented the aptly named kill file, a convention that is simultaneously the ultimate form of nonviolence, yet is not entirely without its vindictive satisfactions. "Make my day, punk" never had the delectable dismissive ring of "Welcome to my kill file, bitch." Nevertheless, backing down is not a very American virtue, and many of us are still determined to stand up for
ourselves it sitting down). On the wire, as well as in the streets, it's clear that "DIY" is as American as apple pie. For our part, we're content to occupy the moderate middle ground of this battle; we'll get in a few good games of Marathon, and another screening of the Woo flick - and let the social impacts of our questionable habits sort themselves out. All the simulated violence may leave us drained, senseless, and substantially numb to instances of the real thing - but lately it's easy to feel that a little anesthesia might be just the courtesy of Mr. Fuches |
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![]() Mr. Fuches |
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