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"a fish, a barrel, and a smoking gun" |
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Awaken the Pliant Within
For 11 hours and 15 minutes, I hugged perfume-saturated realtors. For 11 hours and 15 minutes, I gave back rubs to car salesmen. I pretended to be the World's Most Outrageous Aerobics Instructor. I recited truisms in a Mickey Mouse voice. I mimicked epileptic-surfer moves as speakers blasted '80s
frat-party songs "energy up to Level 40!" I shouted "Yes!" over and over, along with the 3,000 other "playfully outrageous" attendees of the Anthony Robbins Competitive Edge(TM) seminar in a slightly rundown auditorium in downtown San Jose. And when Robbins asked us if we were "juiced," I raised my fist to the ceiling and arm-pumped like a drunken Young Republican at his first National Convention. When 8:00 p.m. came at last, as the neo-Wagnerian chords of "Start Me Up" crunched toward their well-merchandised crescendo, 3,000 sweaty overachievers celebrated their completion of the 12-hour Anthony Robbins Competitive Edge(TM) seminar in the requisite manner of the day: with rampant arm-pumping, communal moaning, spontaneous stranger-grappling, and loud, liberating exclamations of freeform transcendence. At least I think that's how it happened. I had fled the scene about 45 minutes earlier. I had meant to stay to the end, I swear. Several times throughout the day, Robbins had stressed the importance of the final hour: "It's like the last rep when you're lifting weights - that's when the real growth happens!" He punctuated each repetition of the sentiment with his signature move, an expressionistic karate chop to his own chest, and with each crisp, swashbuckling thwack, I promised myself that I would indeed stick around for the last group cheer. Because I wanted to learn how to become a "state inducer." Because I wanted to learn how to "gain the competitive edge through strategic influence," so that I too might sell millions of overpriced book and videotape collections to underperforming salespeople, and land lucrative consulting gigs with timid tennis stars and equivocal presidents. But how much can a person take? I mean, even a little Tony Robbins goes a long, long way. And Robbins, an exclamation point made flesh, is more than just larger than life; he's larger even than the TV persona he's created for himself. On the stage behind him, two big-screen monitors projected his every movement and expression in exaggerated detail. They seemed superfluous.
The real Robbins, center-stage, 6 foot 7 inches, was simply more compelling. Up close, of course, he's freakish. His body, not fat, but not quite fit-looking either, gives the impression that perhaps he has no body at all, and to cover that absence, he's simply stuffed a suit with pillows. His oversized, Osmondoid countenance had a similarly synthetic quality; Tony Robbins masks would be more convincing. Most alarming was the lower half of his face; exhibiting such exoskeletal grandeur, in such constant, insect-like motion, it exceeded mere "jawness" and became "mandible." All this might make him a somewhat disconcerting dinner companion, but it does make Robbins a pretty good live performer. Those exaggerated features register across an entire auditorium; his matadorean flouncing recalls the bombastic flourish of Elvis in his Vegas years. Which is not to say his act couldn't use some work. Much of it felt ready for the archives. Robbins continues to use '80s effluvia like Donald Trump, Michael Jackson, and Lee Iacocca to illustrate his various points. During a brief product placement interlude a half-dozen out-of-work actors dressed in California Raisins costumes tossed sackfuls of nature's candy to the frenzied crowd: For a moment, I thought I was at COMDEX '87. Technically more topical, but feeling just as dated, were jokes about Saddam Hussein and Lorena Bobbitt. Nudge-nudge homophobia and the tiresome strain of innocuous, Jack Tripper-style lechery - "Oh, I didn't mean that kind of passionate - or did I?!" - were additional low points, as were the superficial asides regarding spiritual fulfillment.
Still, focusing on the specifics of what Robbins says violates the spirit of his philosophy of influence. Indeed, his core message for the day was the notion that one's "words" contribute little to one's overall "influence." More important than "words" is one's "voice." (Robbins himself generally employs either a confident Foghorn Leghorn baritone or a timid milquetoast stammer.) More important than one's "voice" is one's "physiology," the sum total of one's posture, gestures, and expression. This "physiology," Robbins believes, accounts for more than half of one's influence. He's absolutely right. His career proves it. In his earliest days as a "human potential consultant," the only thing separating him from all the other smalltime self-confidence artists talking the motivational talk was one particularly compelling bit of physiology: the ability to walk the firewalk. That fortuitous sideshow trick helped Robbins forge a highly marketable identity; thousands of hours of TV exposure later (according to Robbins, not one minute has passed in the last eight years when his infomercials aren't airing somewhere), he's the world's best-known self-help guru, raking in hundreds of thousands of dollars for a single day's work.
It is a long day's work, though, that's for sure. Even in my lesser role as a spectator, I was exhausted at the onset of the seminar's final hour. My hands were sore from indiscriminate clapping, my back was aching from sitting in the cheap orange folding chair my US$300 VIP ticket had gotten me. Robbins himself showed no signs of fatigue. He lurched around the stage like Arnold Schwarzenegger imitating Jim
Carrey Michael Jackson-style and bellowed into the microphone like a karaoke televangelist. And while I appreciate this kind of spectacle as much as anyone, after 11 hours, well.... Robbins had enlightened me, he'd entertained me, he'd even managed to "energize" me on a few occasions. So couldn't he just finally call it a day? Perhaps his extreme reluctance to do so is the secret to his phenomenal success: At every single seminar he gives, the person who gets the most significant emotional benefit from it is always Robbins himself. During the lunch break, a couple of dozen acolytes had congregated at the edge of the stage, their faces contorted with sweet, needy anguish as they waited patiently for a brief moment of communion. But the neediest, nakedest, most anguished expression of all belonged to Robbins; he sat poised on the edge of the stage, his eyes filled with plaintive puppy-dog yearning, his mouth twisted in an awkward, grateful grimace as his fans showered him with their love and validation. It was a disappointing moment; hucksters of world-class stature should be insincere and resonant with vain self-loathing. Robbins, I realized, was merely insecure. It's an inevitable irony: The motivational expert needs the audience's applause to confirm his own self-worth. Onstage, doing his epileptic-surfer thing, he was the life of the party. Offstage, one imagines, he's just a big goof who can't dance. Throughout the afternoon's session, I tried to convince myself that the anguish, the awful longing for approval, was just another part of the act. But the longer he continued to perform, the more desperate he appeared. And when he started launching T-shirts into the crowd via a giant slingshot, a sudden fear overtook me: What would he do next to win our favor? Start offering us our money back? That was when I decided I had to flee; I simply wasn't able to confront the specter of Robbins' neediness a moment longer.
Now, after a few days' reflection, I'm content to let the question of Robbins' neediness remain one of life's many mysteries. The notion that Robbins might have actually been willing to trade a portion of the day's receipts in return for the chance to remain on stage an hour longer was pure folly on my part, induced, no doubt, by all that disorienting hugging and clapping. A quick visit to his Web site, with its endless, escalating pitches for products and seminars, reaffirm one's faith in his steadfast cupidity. In the end, greed is Robbins' great redeemer. courtesy of St. Huck |
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![]() St. Huck |
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