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"a fish, a barrel, and a smoking gun" |
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Repeat the Ending
Like snuff films and free
parking become a myth whose sheer persistence has turned it into cultural fact. How else to explain Pathfinder's acquisition alt.culture, or the appearance of Baffler editor and millennial prophet Tom Frank in Tripod's Politics and Community section. The early '90s are back with a vengeance; or maybe they never left. Critiquing the trend is tempting, if only because we've done it before. Indeed, this scrabbling after twenty-somethings could be an elaborate extension of the Great Grunge Hoax but for the fact that all them are pushing 30. Actually, to give credit where credit (or would that be "cred"?) is due, no one's calling them "twenty-somethings" anymore - too literal a reminder of time's transience; most mentions these days define the group not as an age bracket but as a collection of buying habits. As Tripod put it: They are "Career-building, mountain-biking, mutual-fund buying, Internet-searching, micro-brew drinking, alternative-listening spenders." Ew. Sounds kinda tacky - and tiring. (No wonder the new Miller Genuine Draft campaign, with its laid-back call for "good old-fashioned macro brew," is so appealing.) Far from proving the existence of a cohesive age cohort, the persistence of the gen-X pitch only points to marketers' need for it. And the blatancy of the manipulation, the ease with which we can conjure (and mock) the image of this would-be typical (and busy) individual - well, that just proves that cultural criticism is even easier than we thought. It must be. While alt.culture debuted on Pathfinder after hyping a "radical redesign," Tripod's new radical hasn't changed a bit since we last saw him. Frank's charmingly anachronistic approach to both analysis and personal appearance (Does he know that Dos Passos turned right in his old age?) has finally found a home in new media, but his arguments are still very 1991. The main thrust of his inaugural column doesn't get very far once you buy his argument that corporations will, we'll give him this one, co-opt anti-establishment rhetoric in order to make money. You heard it from him first - about five years ago. Only references to Jerry Maguire and a new book by "French ad exec and rainy-day cultural theorist" Jean-Marie Dru hint that Frank has left his garret since Steve Albini started recording Bush and Veruca Salt records. "The revolution will be sponsored"? Alert the masses! We could also bust on Frank for the ease with which he tosses off a reference to "newspaper
workers in Detroit he's down with the (little "m") man - and then discards it. But no one wants to read about real labor issues anyways, and there are precious few that want to write about them. That what passes for "hip" political commentary at a national, advertiser-funded level is often little more than an excuse for a writer to expense bookstore bills and watch videos as "research" shouldn't surprise anyone. Analysis of a "cultural moment" doesn't have to include the real politics or economics of a situation, and if you're writing for pay, it shouldn't: Writing about media is sexy, math is hard. And so what if Frank is knocking down a straw man? That's just because someone keeps setting the fucker back up. Take Wired's upcoming May feature on "corporate rebels" who "break the shackles of business as usual ... iconoclasts who question the status quo, cut through red tape, and challenge their bosses to greatness." The prose is breathless, but we fear that's only because they're all so out of shape. The median age of these "independent thinkers who see old problems with new eyes" is forty-something (perhaps they just need bifocals), and their major insights and "struggles" all revolve around finding more efficient ways to make money for such cutting-edge companies as IBM and AT&T. That this might be considered "rebellious" says much more about the moribund state of upper management than it does about these guys. Just like the business-lifestyle pieces of yesteryear, there's an attempt at framing our heros in terms of style as well as substance: There's much talk of what these "young" Turks wear to work and quirky personal habits like, you know, "gesticulating." The sad thing is that these details just make them seem more boring (Cybergold CEO Nat Goldhaber wears running shoes to work! The nerve!). The Soviet constructivist iconography which surrounds the piece may be an attempt to call attention to the statist mindset of the rebels' bosses, but the delivery here is all-too-earnest. Irony may be the one element of the gen-X revival which has yet to be resurrected. All of which makes Tom Frank's tired media crit seem a little more perky. Sure, the toothlessness of his revelations, combined with the fact that his column appears on a site whose press kit promises that "Tripod Delivers Over 1.5 Million Unique Gen-Xers Every Month ... 18-34 year olds hungry for information on what to do - and buy," would make it easy to dismiss the partnership as either hypocritical or just as crass and opportunistic (though surely not as lucrative) as Tripod's other deals with Viacom and CNN. Still, as we should know, being a hypocrite doesn't necessarily make you wrong. And if you repeat yourself, maybe it's just because no one was paying attention the first time. courtesy of Ann O'Tate |
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![]() Ann O'Tate |
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