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"a fish, a barrel, and a smoking gun" |
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Hit & Run LXXIV
Why worry about cloning when its effects are already among us? The newsweeklies, of course, replicate each other's cover stories all the time - though surely they would admit this week provided especially fulsome commentary on the phenomenon. And in fashion, well, don't get us started: Whether it's another celebrities wearing that new Prada coat, or another slick cover shot of that weird Calvin Klein tube top thingy (Elle proclaimed it "the essence of the season"), we feel so inundated by sameness it's hard to lift the lattes to our lips. Despite all claims regarding "narrowcasting," it's unusual to see new magazines that have a prayer of individuating their way out of a wet paper bag. For a brief moment, it seemed Mode might manage to distinguish itself from the pack, arriving as it did with a proclamation it would offer "Style Beyond Size" to larger-than-waif-sized women. Whatever were we thinking? From the "between us girls" editorial to the fashion tips ("tonal layering has a slimming effect"; "try wearing a bold watch"), Mode is but another thoroughly corrupt chip off the beauty-myth block. Aldous Huxley had it almost right: it's a fashion slave new world. In the glory days of rock and roll, musicians were feckless pawns who churned out hits and got burned by record company suits. Now, as Colonel Tom Parker gives way to the more benevolent figures of Dreamworks' messrs. S, K, and G, the artists get stinking rich, and Fred Goodman isn't happy about it. In his book The
Mansion on the Hill, shocked, shocked at the way grubstakers like David Geffen, Jon Landau, and Albert Grossman turned pop music into big business. It's a page-turner of a book, but its real stroke of genius comes in the introduction, when Goodman cops to finding Landau a more fascinating figure than his client Bruce Springsteen. In one bold step, Goodman crosses the line toward recognizing the true Legends of Rock: not the bloated, OD'ing stars, but the toxic little schnorrers who fatten them up for the self-slaughter. As agent and promoter chic catches on, we can look forward to zines that swoon over Marion "Suge" Knight and He earns millions for his screenplays. He sleeps naked with his window open, and never wears underwear. With each passing day, he looks a little bit more like Charles Bukowski in a Mae West wig. He's Joe Eszterhas, and on March 11 he will answer all your intimate
questions five: True or false: You wrote Showgirls so you could deduct "lap-dancing" as a business expense. Which took longer that day: writing Sliver or combing your hair? In your opinion, which causes more psychic distress: duping some hippie journalist out of an article and calling it your own, or divorcing your wife to marry her best friend? You and Ovitz in a cage match. He gets a heavy blunt phone, you get a very sharp pencil. Who wins? Which of the following lines of your dialogue is the most autobiographical? "I like having nice tits." "I am not a whore!" "You got something wrong with your nipples?"
Even guardian angels are being updated for the digital age. AP reported that Tokyo researchers have found a valuable new approach to keeping track of the elderly. Apparently Japan's aging population is showing signs of widespread senility, and the Japanese face a growing and increasingly mobile senior class. Using satellites, the Tochigi Prefectural Technology Center will develop pocket transmitters and global positioning systems to locate and track seniors who seem to be wandering off to meet their maker in epidemic numbers. Heaven can wait, government officials seem to be saying. But we'll hold your position until your number is called. courtesy of the Sucksters
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![]() The Sucksters | ![]() |