"a fish, a barrel, and a smoking gun" |
Book Mobile "Dead trees love the fire," wrote Henry David Thoreau. He should know, since he managed to accidentally set fire to a Concord forest back in 1844 - an act of negligence that has undermined his authority as a naturalist ever since. He may have pulled a few boners in his time, but Thoreau is still remembered and celebrated as a model of Emersonian self-sufficiency. His myth has less to do with what he did than what he said. It's no coincidence that Thoreau was a better writer of books than conservator of nature. To paraphrase an American truism, if you can't do it, write about it. Even excepting the moronic yammering of Tom Clancy and Robert Fulghum, what are books but self-help guides, no matter what the genre? And in America, the land of kinetic self-improvement, everyone loves a good self-help guide. Why else would Oprah's loyal viewers, grown fat on the sweet sense of superiority they've cultivated toward her loathsome guests, agree to underwrite a buyout of a 20-year-old title by Toni Morrison? Thoreau, frequently suspected of being a freeloader and a do-nothing, was often on the go. He could appreciate the convenience of books. It's an easy observation, a favorite icebreaker among neo-Luddites at office parties everywhere: the portability of print. Of course, this tiresome harangue grows increasingly irrelevant. Not only are wireless technologies reproducing like rabbits, but traditional print media are unmistakably and undeniably influenced by electric words and the mechanisms that produce them. Indeed, if not for the monopoly Mac still enjoys in the publishing industry, both Apple and your favorite low-rent zine might have gone the way of the illuminated manuscript some time ago. Electricity - from WordPerfect to the 60-watt bulb in your reading lamp - is the loom on which text is spun today. We read words on screens everywhere every day: From ATMs to movie credits, subtitles to closed captioning, the Home Shopping Network to Etch A Sketch. And where would community TV be without screen after colorful screen of local weather, bake sale announcements, and advertisements for licensed mediators - all in plain old electronic text? We shudder to think how fast this country would devolve into grunts and frantic hand signals if not for public access TV. The nostalgic conceit that words look better on paper than on screen resembles the marketing ploy enshrined in MTV's "Unplugged" series. Nearly every artist in this dubious series has fudged on the plugs; either that or unseen - and unplugged - gremlins must see to the music's amplification, mixing, and recording. Listeners unwilling to believe that's just fairy dust in the studio must conclude that "unplugged" just means "sedated" or perhaps "stoned." It's a provocative comparison: Music pervades our culture to the same extent as text, yet few complain that the morass of plugs, cords, circuit boards, and speakers that mediate recorded music render it unworthwhile. In point of fact, Walkman and Discman are the foot soldiers of electric portability, and you can bet your surge protector that "Netman" has already been trademarked nine ways from Sunday. From AirMedia to PocketNet, it's clear that wireless technologies verge on major market share. Can it be long before the Internet itself surfs the airwaves, dwarfing the bandwidth of present-day network TV? It's a sure bet, too, that text will dogpaddle beside it, glowing in all its phosphorescent glory, for decades to come. Is our compulsion to purchase freedom from the outlet and the phone jack just a delusion, our preference for paper over screen a misguided vote for Thoreauvian self-reliance? Probably. Still, the delusion of
self-sufficiency commodity, even if it burns down a few forests by accident. Like our man Henry David, who was supposed to run into town to summon the fire department, you can expect some of us to find a nice hill from which to view the beautiful conflagration. courtesy of E.L. Skinner
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