"a fish, a barrel, and a smoking gun" |
Hit & Run LIX Ah, those hazy days of yore, when Hendrix's microdot marching tune, "Are You Experienced," inspired thousands to simultaneously swap perfectly functional brains for paisley patty melts. With a little pluck and some double-wide pockets, Excite's recent rental of the tune may herald a new trend, where market-siphoned booty meets the desks of web marketing VPs throughout the SF Bay Area. We never expected Bill Gates to apply his securities towards a Learning Annex course in disk-jockery and thus, Microsoft's latest ads, showcasing stunningly honest use of Johnny Cash's "Ring of Fire," barely provoke a chuckle. But we expect the new blood to eviscerate hipper (if not hippie) standards, and would remind the Lycoses, HotBots, and AltaVistas (the AltaVista blimp as Flight 801, anyone?) that the only other Hendrix anthem to grace a television commercial, "The Star-Spangled [Ad?] Banner," is not only appropriate but eminently appropriatable. Still, while we get our jollies at the expense of the freshly liberated spenders, it's comforting to know that good old-fashioned promotional methods like word of mouth still work wonders, and we've got the email messages - "Have you tried UltraSeek? Faster than shit." - to prove it. From the breathless buzz that greeted the passage of California's Prop. 215 in some SoMa office-hives, you'd have thought dope had been approved to treat carpal tunnel syndrome. Widely heralded by proponents of better living through chemicals as a step towards the comprehensive legalization of marijuana and as a hallmark of the Golden State's progressive agenda, this thinking is clouded at best. In the same election, 30 years of affirmative action went up in smoke as Left Coasters embraced the deviously tagged "California Civil Rights Initiative," giving new meaning to the term split - or do we mean "spliff"? - ballot. For close to thirty years now, Hunter S. Thompson has been something of a mirror (or is it a billboard?) for America's self-obsessed excess of the moment. In the '60s it was hogs, in the '70s it was drugs, in the '80s it was "art" (and drugs again), and in the '90s it is, of course, self-promotion. So with the silver anniversary of his seminal Fear and Loathing in Las Vegas right around in the corner, Thompson has done what any aging writer riding his own coattails to further fame and fortune would do: re-release it as an audio book. Yet despite voice credits from the likes of Harry Shearer, Harry Dean Stanton, Jim Jarmusch, Buck Henry and, perplexingly, Jann Wenner, the jaunty flacks at Thompson's publicity agency appear so uncertain of the tape's newsworthiness (to anyone besides Rolling Stone) that they went to the trouble of taping little Ziploc baggies of candy pills and powder to the review copies sent to the press. "When the going gets trite, the trite turn to PR." Unwilling to open the doors of perception, but equally impatient for death to reveal the layout of the Great Beyond? Well, on the web, Hell is a private party, Heaven is wishful thinking from Time Warner, and God doesn't answer his email. But given the state of the Digital Revolution, we suspect that perusing the server logs of the one place on the Internet where you can talk to God would make for interesting, ah, revelations. courtesy of the Sucksters
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