"a fish, a barrel, and a smoking gun" |
Master of Ceremony The presidential debates are a story we tell ourselves about ourselves: We're a deeply intellectual, issue-oriented, content-rich, free, democratic society that wants nothing more than... yawn.... Pass the Fritos and the PlayStation. Wouldn't you rather be watching a cockfight? Anthropological analysis can make even a cockfight bloodless - metaphorically speaking, of course. Under the microscope of Clifford Geertz, a cockfight isn't meaty, it's meta. And this despite (or perhaps because of) the ceremony's having had its "practical consequences removed and reduced... to the level of sheer appearances." In the most recent presidential instance, however, we weren't faced with "a chicken hacking another mindlessly to bits"; instead, it was more like a contest between two piano-playing chickens in a fairground vending machine, the winner decided by who pecked
out appealing version of our favorite political tunes. So it hardly matters whether you liked Bob Dole's edgy, carping version of "So What' Cha Want?" or Bill Clinton's sonorous, wonkish rendition of "What You Got" (including a plaintive chorus of "Baby, baby, baby, gimme one more chance!") The stupefying sameness of the debate after its first 90/60/30 exchange led us to realize that chickens will always be chickens: They strut and preen and have sharp, pointed beaks - instruments largely unsuited to articulating policy visions, but highly useful when pecking PAC pockets for advertising scratch. What was most telling, then, was not the shrill, chattering debate machine, but the man chosen to pump it full of quarters. Who was that ask-man? Why Jim Lehrer, of course, host of the NewsHour on PBS and reportedly the only name floated by both camps. It is telling that during protracted negotiations over knotty issues like dates, format, and dais height, the one issue both sides could agree on was moderation. Comically overrouged and sporting more dye in his hair than even Bob Dole, the 62-year-old Lehrer was the perfect choice for a major television nonevent intended to stroke the nation's collective ego. Lehrer was an avuncular, collegial, and ever-so-slightly journalistic presence nonpareil, and he deserves much of the credit for making the presidential debate series what it was: a meandering mush, a free-form duophony of prepackaged talking points and half-hearted sucker punches, barely worthy of notice and not even quite up to the nettling sound-and-fury level of a NewsHour panel discussion. Lehrer's career has been an interesting and slightly tragic one, a life which mirrors in many respects the decline in fortune of one of our favorite moribund technologies, "public" broadcasting. Twenty-six years ago, Lehrer, a talented city editor for the now-defunct Dallas Times Herald, was invited by KERA-TV to participate in an experimental roundtable program called Newsroom. In an era well before a hydra-headed News Corp. and her Gorgon alter ego, Turner Broadcasting, Newsroom contained an element of seat-of-the-pants media criticism. Such a description may raise more than a few cynical eyebrows, but sincere adherence to "public service" missions back then led even the local ABC affiliate in Dallas - WFAA-TV, a station owned, along with the Dallas Morning News, by newly-inducted corporate cephalopod Belo
Broadcasting curmudgeon of a general manager, Mike Shapiro, on the air once a week for a viewer-mail show called "Let Me Speak to the Manager." Such idealistic beginnings! Inside of three years, Lehrer was in Washington, D.C., flush with Fred Friendly's Ford Foundation money and teamed with Robert MacNeil to produce national public-affairs programming, including gavel-to-gavel coverage of the Watergate hearings. Lehrer has admitted that he was, at first, a bit out of his depth: In a 1992 C-SPAN interview, he described how it took stern words from the more suave and telegenic MacNeil for him to learn to stop rocking his head back and forth, saucer-eyed, while reading the TelePrompTer. Still, at the time the very idea of "public" television was considered so "dangerous" that the Corporation for Public Broadcasting was formed to insulate individual member stations (as well as programs like MacNeil/Lehrer) from political pressure. But now look how far he's fallen, this Icarus of Insiders. John
Malone subsidiary of TCI, now owns controlling interest in MacNeil/Lehrer Productions and thus the NewsHour. (Perhaps it's merely to gain easier access for his intended drive-by on Reed Hundt.) And instead of aggressive, idealistic reporters eager to serve the public trust, Lehrer is surrounded by the likes of Mark Shields, who receives (as Fairness and Accuracy in Reporting noted a year ago) a weekly paycheck from Lockheed Martin - the nation's largest military contractor - for his appearances on WMAL-AM's Look at Today radio program. Given the lingering possibility that the CPB will be "zeroed out," Lehrer may even find himself privatized and back at work for Gannett or Time Warner. So maybe it's no wonder, really, that Jim Lehrer was chosen to spend three evenings tossing whiffleballs at the candidates, or, in this last instance, helping those of others over the plate. Maybe it's to be expected that he didn't ask pointed
questions like telecom reform, or about major media donations (Seagram/MCA, Disney, Dreamworks, Time Warner, Ticketmaster) to both men's political campaigns. Even Lehrer's attempt to lure Dole into bullying Clinton on the character issue had all the subtlety of Porky Pig propping up an orange crate with a stick and a string tied to it. Lehrer long ago stopped reporting the news, and instead now passively "moderates" a flow of unquestioned political press releases. Apparently, no one knows the difference. Wednesday's debate resembled less a "town-hall meeting" than a Ricki Lake set, with Lehrer in a space-age swivel desk presiding over a ghoulish parade of citizen-impersonators, whose questions belied the criticism that major media is out of touch with citizenry. Given the chance to get in the ring ourselves, it seems, we all behave a little like chickens. courtesy of LeTeXan
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