"a fish, a barrel, and a smoking gun" |
Substantially Worse Than Nothing There's not much there. At the A
Current Affair Just a few jpegs, an .avi trailer or two, and a promise of more to come. But even if they were to meet their official December 10 re-launch date with a daily schedule and a bottomless pit of material, you wouldn't expect much substance. Aside from their contributions to lowest-common-denominator pandering, an institutionalized commitment to crap, and invasion of privacy in the name of journalism, there's not much to say in defense of the shrewd clowns behind the TV tabloid industry. The secret to their success lies in a somewhat simple, eternally bountiful approach to the concept of "news" - in particular, celebrity coverage. Superstars, like their celestial namesakes, emit energy in direct proportion to their intensity - and forward-thinking opportunists can't be faulted for seeing the value in sunbathing.
In a sense, tabloid TV need not excuse itself for its methodology nor its banal subject matter - just as pornography is pure cinema, the tabloid coverage of celebrity is pure news. If the news demands a celerity of the new, its answer is celebrity, which allows the same tired stagings to be repackaged into new stories through the injection of personality, in order to mask perspective. Celebrity is that manufactured frenzy in which everyday activities - such as eating, shitting, downing Quaaludes, or cheating on one's spouse - take on preposterously amplified significance. And it's impossible to place these events within a historical context - one may like to think that time would reveal Madonna's pap smear as having less importance than the Dead Sea Scrolls, but each remains, regardless of the artifice involved, a cultural artifact, capable of capturing the popular imagination.
It speaks to the power of the celebrity-creating machine that the gulf between the myth of the performer and the raw mundanity of the everyday is so great that the desire to see illusion debunked provides an ever-expanding window of opportunity. To those (un)fortunate enough to sit in the place of celebrity it may seem unfair, but, as we all know, that's the price to be paid for stardom. To the extent that a star's career depends upon the actor being spun larger than life - on being made astronomically stellar - fan anxiety to see their idols revealed as precisely life-size abounds. The celebs may froth, fume, and rage at the industry leeches, but at least they never need doubt the efficacy of their PR budgets. In much the same way that shows like Hard Copy, Inside Edition and A Current Affair evolve from supermarket classics such as The
National Enquirer The Globe - adding purloined answering machine messages, grainy video and mock-bravado confrontational journalism to the mix - our nightmares include a migration of the tabloid "concept" onto the net. Clearly, the dubious scheme of covering the miserable lives of net celebrities is a wash at present, since most netizens, both great and small, seem all too willing to expose more about themselves on their home pages than any reader should ever admit to caring about.
But even on the net, the same principles will apply. Whether the celebs are homespun or immigrant from other media, vulgar rags like Suck will trumpet their arrival, catalogue the minutiae of their tawdry careers and unceremoniously disinherit them to fit their vulturous ends. Here's to hoping that the cannibalization extends all the way to the chief flesh eaters - the touting and subsequent unshrouding of the emperor seldom lacks cheap appeal, though it's never much of a surprise to learn that there wasn't much there to begin with. At least not much of substance.
There will never be much there. At the A Current Affair site, that is. Just a few jpegs, an .avi trailer or two, and a promise of more to come. courtesy of the Prince of Dyspepsia
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