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Martin Lawrence update: Since Suck first published its
straight-from-the-set report
on the out-of-shape superstar's imperial antics with the crew of his
upcoming What's the Worst That Could Happen?, Lawrence has dispatched a
stream of emissaries, some offering
character testimony on
the star's behalf, others attempting to
destroy the credibility of
his accusers. Having seen the depths the troubled comic genius could stoop to
in his cinematic turd Blue Streak, we were not surprised by the pro-Martin
counterattack. As always, our only goal is to get the truth out and let the people
judge.
Lately, new evidence has begun to trickle in. Several readers claiming Worst
experience have offered corroborating testimony for Suck's claims that Lawrence
spent the shoot in tyrannical isolation, dispatching lackeys to browbeat his
co-workers and earning the enmity of the crew. (On the plus
side, all sources agree that diminutive mogul Danny DeVito was as beloved on the
set as he is in our nation's theaters.) Most recently, a reader identifying himself as
the skipper of a yacht used in the film confirmed the accuracy of our Martin report, adding
that the "absolute legend" DeVito "had the total respect of the whole team" and that
"the guy who was the College Dean in The Nutty Professor was in it and
he was a very cool guy also."
Such hearsay, of course, carries little weight with us. But recently we came across
something more substantial ocular proof of on-the-set rumors that Lawrence's
contract contained a "facial digitization" clause. According to that report, the studio
agreed to Photoshop out any zits, moles or other imperfections in Lawrence's
multimillion-dollar puss (an agreement that accounted for the star's confidence in
alienating lighting and makeup personnel).
This week we caught the trailer for What's the Worst That Could Happen?,
and it's painfully clear that the Martin visage has been gone over by Pixar, ILM,
Digital Domain, or possibly all three. His couple of closeups are as textureless as
a Terminator 2 special effect, making everything around them seem as
richly detailed as an HDTV transmission. Make no mistake Metro-Goldwyn-Mayer
has honored its agreement to give us a digitally remastered Martin Lawrence.
Sure, paranoids tend to see what they're looking for, and in watching the
preview we were more than usually attuned to possible hanky panky. Indeed, for a
moment there we feared that we might be watching some digital impostor, and that the
real Martin lay pining like Pope Paul VI in some MGM dungeon. But if there's even a
possibility that audiences are not getting echt Martin, the people deserve to
know. We urge readers to watch the trailer (sadly unavailable online at the moment)
and judge for themselves. And we challenge MGM-UA to come clean about Martin
Lawrence's digital enhancements, before it's too late.
A full year after the start of the Nasdaq's sphincter-tightening, no-net plummet, after
the last dotcom sit-down strike has been sat, after even Chris Byron has given up laughing,
Warren Buffett's
chucklefest
at the expense of the online economy comes as a hit so late we can barely see it through
all the yellow flags on the field. But since we never really considered the
Cornhusker State pill to be
the first word in comedy, we probably shouldn't comment on his timing. In any
event, what may be the last-ever attempt by the Old Economy to draw blood from
the internet is taking place with Wham-O!'s war on Stephanie Nevins's
Hula Hoop site. "Your misuse of Hula Hoop
dilutes and infringes Wham-O's trademark rights," says the legendary company's
cease-and-desist letter. The infringement is a little hard to fathom, since, as Wham-O!
notes: "We appreciate that you are not selling hoops, but are only advertising your skills as a website designer." We have no comment on Nevins's
design, nor can we really fault the San Francisco toymaker's efforts to avoid seeing its
brand name diluted into kleenex and xerox oblivion. (There may be trouble brewing
if anybody ever registers
PlutoPlatter.com.)
For that matter, Wham-O!
deserves some support just for reclaiming its independence from evil toy conglomerate
Mattel in 1997. And it's kind of soothing just to see that lawyers even bother to send out these
gotcha letters anymore. But Wham-O! Really overplays its hand in demanding that
Nevins remove "all references to Hula Hoop, hula hoop, and Hula Hoopla." We
happen to know that those phrases were invented by the marketing guys at
Hudsucker Industries.
"So far I've been disappointed [by the return on web advertising]" Pizza Hut
chief marketing officer Randy Gier
tells The Industry Standard
this week. "If you know anyone who can turn all those
Internet eyeballs into orders, let me know, because I haven't seen it yet." Our first
suggestion might be to sell a product that doesn't smell and taste like vomit. (And after
that we'd urge the Hague War Crimes Tribunal to put Gier and the rest of the Pizza Hut
gang in the dock for atrocities against pizza.)
It's probably an unnecessary disclosure to admit that at this point we'd kill our own
mothers for some advertising, but since nobody else is defending the banner ad, we'll give it a shot.
If you're put off by the .5 percent clickthrough rate on web ads (which is an
industry-wide total, including intelligent and successful campaigns by Volvo or
Austin Powers, as well as the efforts of moon-faced idiots at
Pizza Hut), consider what the implications are for the rest of the ad-selling world. Do
we really want to know exactly how many people react to every form of advertising?
From Super Bowl commercials to Hummel figurine half-pagers in Parade to
newspaper ads for JC Penny underpants? Banner ads may have revealed some things about
consumer behavior that, in retrospect, nobody really wanted to know; but it's a little late to be surprised
that there's gambling in Casablanca.
Which brings us to direct mail, that arm of marketing where the statistics are
similarly inflated, an industry that continues to grow despite success rates that make banner
ads look positively attractive. Since charitable organizations are world-class direct mailers,
and much of the action in this sector depends on trading lists of leads, we can only assume
it was the donations we made to a few American Indian charities a while back that have
turned the Suck office into a junkmail Little Big Horn, with St. Joseph's Indian School,
AIRC, Christian Relief Services and a host of others
guilting us with Dreamcatcher keychains, Rez-art Christmas cards and other freebies. As
the unsolicited giveaways get bigger and more lavish, we have truly begun to understand
statistics that say most
fund-raising cash is frittered away on the fund-raisers themselves. Most recently, we got
a beautiful 100% cotton, 100% unsolicited t-shirt from
Running Strong For American Indian Youth.
We're not inclined to give money to an organization that will just waste it on
t-shirt deliveries, but just in case Running Strong wants to try again: What we
really want is one of those great
Frybread Power t's.
Amid antics like these, the new disdain for banner ads looks increasingly like a pot/kettle
situation. Our only conclusion: Buy a banner ad on Suck It really works!
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