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Ladies and gentlemen, the circle of life: As one Internet
wonder boy comes within hours of seeing his company executed by injunction,
another emerges, re-invented and anew, ready to take a second ride on the IPO
gravy train.
Say all you want about the rapidly stiffening corpse of Napster;
stubble-headed savant Shawn Fanning has got a bright future ahead of him.
Oh, sure, corporate American may currently regard the boy as a
compiler-wielding thug, a t-shirt wearing yahoo with no more managerial or
product experience than, oh, the members of Metallica. But if Napster goes
belly-up tomorrow, if all its content disappears,
Fanning will be planted (deservedly) in some corner office inside a year, pulling down
six or seven figures and sleeping with his secretary. Witness, for example, the
second coming of marca.
Marc Andreessen (and his going-public-right-this-second LoudCloud) is now all smooth talk and
silk suits, but he was once known as the wide-eyed executive with the baby
fat and the bad toe nails, "the Hayseed with the Know-How." Never mind that
his last company (a footnote that new arrivals to the Web may not have heard
of) rode a wave of hype that makes the Napster brouhaha look like a press
release; Andreessen never managed to actually do anything with it, save
squeeze Steve Case for a few billion and garner a whole lot of flattering
publicity. But publicity is all you really need.
So say a prayer, Fanning: F. Scott Fitzgerald was wrong. With the right press,
the first act is just the beginning.
VIVE LE BRENDAN!
Although it's sinking like a chimp with an anvil tied to its neck, the live
(as opposed to not dead)-action cartoon feature Monkeybone
once again brings up a question that's starting to seem age-old: When did
we, you know,
as a hemisphere, decide that Brendan Fraser was funny?
The question opens a Volkswagen door from which a thousand other
clownish queries tumble out: How did Pauly Shore's one-time second banana
turn into the "I'll catch it on DVD" Cary Grant of the 21st-century? What does it
say about Hollywood today that not even starring in a Harold Ramis remake
of Bedazzled with Elizabeth Hurley can hurt an established male
lead's career? A sequel to the remake of The Mummy? Why?
Maybe those are questions better left to future historians of the
present-day. It's hard enough to imagine the studio conference that led to
Our Man in Hollywood's being cast as the lead in the forthcoming why
now?
remake of The Quiet American, Graham Greene's indictment
of a Yank in pre-war Vietnam,
But in addition to all the imaginable studio \
conversations, Monkeybone calls to mind one pitch session that's
inconceivable, one that even Kenneth Lonergan couldn't write, one way
beyond the Barton Fink-pale, one so extraordinary that it will
never, ever happen not in real life. Cue harp and ripple-screen:
Associate Producer: "Wouldn't it be great for Monkeybone if we could get Stephen King to play himself in Hell?" In the year 2001, Brendan Fraser and the word unnecessary
effortlessly swing together from vine to vine. Fraser isn't just George of
the Jungle, he's lord of the jungle; he's lord of the contemporary
Hollywood dance, too, a little specialty number called The
Greenlight. He cradles the concept of the unnecessary remake in his
arms like it's a wounded spider monkey needing protection from hunters on
the trail of originality hunters who'd kill and stuff cute, pointless,
unnecessary remakes and put them in museums where they couldn't roam free
in their natural habitats: the cineplex, the video store and cable-TV.
Sure, Fraser's Dudley Do-Right may be mocked (not to mention jeered)
today, but in the future it will be seen for what it is: an
early-to-mid-career highlight in the filmography of this not-displeasing
actor, this blandly competent Everyman, this buffer-than-thou Average Jason
who can turn gold into gold-plate and brilliance into airplane fodder. Long
Live the King of Unnecessary! He's our only hope for remakes of
Huckleberry Hound, Petticoat Junction and The Straight
Story in the 2020s and beyond.
In the handful of weeks since Randy Constan's stylistic blend of
Peter Pan and Emo Philips
boosted him to a sub-Mahir level of web eminence, we've been amused but
disinclined to mock. The fey 47-year-old seems to us not so much an object
for snickering as an embodiment of our editorial mission to let one's inner
beauty shine for all the world to see. We can't be the only ones who suspect
every man nurses a secret desire to dress up like
Little Lord Fauntleroy; Constan should be commended for being upfront about it.
Unfortunately, our support was not enough to persuade the coy fashion plate to
do an official Suck interview. "I'm getting requests like this from all over," Constan
told us in his deeper-than-expected voice. "Although the world suddenly has an urgent
agenda to speak to me in a hurry, I don't share this urgency." Apparently, the eternal
boy is now deciding among offers from "hundreds of magazines" and "TV shows
from around the country."
"There are some people who want to do a genuine story," Constan said, "and others, like
Howard Stern, who just want to mock. I've been getting email from around the world from
people who appreciate the way I'm expressing myself." Despite energetic assurances that
we were among the appreciative, the pixyish pastor of
Through the Cracks Ministries still claims
to be too busy sifting suitors to bother with the usually coveted Suck interview forum. If
there's a lesson in the spectacle of all that media chasing one guy who just enjoys making
little outfits for himself, it may be that the world is not as full of interesting items as
we like to believe. Or maybe it says something about accidental celebrities and their
sense of entitlement a sense of entitlement that seems to increase,
paradoxically, as the pool of accidental
celebrities grows more packed and the number of outlets for their fame shrinks.
In an age when even Kimmi
can make a serious run at a career as a talking head, it's probably not surprising that
a barely-known acolyte of Sandy Duncan appears poised to hire somebody to do his PR.
Although the snub hurt, we took a page from Constan's book, asked ourselves
"What would Jesus and/or Peter Pan do?" and decided to pitch in with the aging swain's
search for the Tinkerbell of his dreams. The first obvious match is
Jane Norman, the leaping, singing
showbiz triple threat who played Pixanne on Philadelphia and New York television
throughout the 1960s and '70s. A kind of female Mary Martin on a wire,
the erstwhile Pixanne may seem a bit
long in the tooth for P.P. Constan; but if anybody can detect inner beauty, we're
betting he can. Even if that doesn't work out, there are any number of closet imps
and brownies at Chris Brainard's
Lavendise Fairy Web Ring. And that's
certainly not the whole field. Somewhere out there, a tutu-coveting Ms. Right awaits
her Peter. After all, as
Francis P. Church
advised young Virginia O'Hanlon, you may not see fairies dancing on the lawn, but
that's no proof that they're not there. We hope the ever-youthful Constan won't
quit until he's got some nice gal's wand in marriage.
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