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"a fish, a barrel, and a smoking gun" |
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A few weeks ago, when 39-year-old Michael Skakel finally appeared in court to plead not guilty to the charge of murdering a teenaged neighbor named Martha Moxley in 1975, the event was reported as the latest scandalous episode in the ongoing dramedy of the self-styled "clan" that has long stood in for royalty in these lamentably egalitarian United States. Skakel is, of course, a Kennedy. To be precise, he is a nephew of Big Ethel Kennedy, the widow of Robert F. Kennedy, the much-mourned assassinated presidential contender, Marilyn Monroe sex toy, and one-time right-hand man to Senator Joseph McCarthy (who was, in turn, godfather to Bobby's first kid). Skakel's upcoming trial the next round is scheduled for 20 June and will decide if the arteriosclerotic middle-aged defendant is tried as a juvenile or an adult promises to offer the nation a Jon Benet Ramsey-like reprieve from both summer reruns and brand-new episodes of Who Wants to Be a Millionaire? But its true value is not that it will keep disgraced cop Mark Fuhrman off welfare for a few more weeks as a TV analyst or that it provides new material for another installment of a family-based soap opera that has already run more seasons than Dr. Who. Apart from the not-insignificant possibility that a grisly, senseless homicide may finally be solved 25 years after it occurred, the Skakel case reminds us that, in a relatively open and mobile society, class, status, and wealth are not fixed forever but must be renewed with each generation or be surrendered to arriviste upstarts. Who would ever have thought that at this late date in human history (we may have already run out of time by Hal
Lindsay would have started contributing to society? Some 50 years ago, the great economist Joseph Schumpeter coined the now-hip term "creative destruction" to describe what he saw as the constant economic and cultural adaptations ("mutations," he called them) characteristic of market-based societies. He noted further that, under capitalism and compared with feudal societies, dynasties are particularly difficult to maintain over any length of time, that wealth and position are built up and dissipated with disquieting regularity. There's a great deal of truth, wrote Schumpeter, in the saying that families typically go "three generations from overalls to overalls." Economists in the age of Edgar Bronfman and George W. have streamlined this old adage into the more euphonious "stupid grandson theory."
While no one expects to see members of the Kennedy clan working the fry vat at McDonald's any time soon though the high-visibility failure of Eunice Kennedy's daughter Maria Shriver to snag a post-throwing- in-the-towel interview with presidential sweepstakes loser John "Nasty" McCain may be a prelude to just such a career move the Skakel case underscores Schumpeter's thesis, at least when it comes to scandal and tragedy. Who will argue that the latter-day Kennedys fail to measure up to the preceding generation regarding their two most enduring familial traits, utter human debasement and gloriously overwrought self-fashioning? When the generation of John, Robert, and Ted (and yes, even brother-in-law Peter "I want to send a Candygram" Lawford) indulged in the sort of hypocritical, loathsome behavior they claimed as a birthright (Joe Sr. famously boffed film great Gloria Swanson while on a family cruise to Europe), they did it with such class and style that even a perfect gentleman such as Francis Albert Sinatra had to snap his fingers, nod his head, and mumble, "You're all right, pally."
When John was banging tarts in the White House, for instance, he didn't merely boff (and then reportedly stalk) his kid's baby sitter, as his late nephew Michael would do decades later (nor would JFK stoop to the Good Friday behavior of William Kennedy Smith, who was acquitted of rape in 1991). No, President John got it on with a Mafia moll, Judith Exner, and the premier sexpot of his era, Marilyn Monroe. When the time came for Teddy to finally split with his long-suffering and hard-drinking missus, Joan amid rumors of long-term affairs and extramarital sex in Washington, DC, restaurants he did the stand-up thing and got a divorce, not an annulment, as Robert's son, Joe II, tried to do (despite the presence of several children testifying to the multiple consummation of a 12-year-old marriage). Even when it came to causing the deaths of others (usually women), the elder Kennedys comported themselves with a certain bigger-than-life panache totally lacking in their younger offspring. Marilyn Monroe became Robert Kennedy's magnificent obsession once brother John was finally done with her and RFK himself was finally done with Tailgunner Joe. Bobby has been entertainingly, if improbably, charged with her death by overdose, allegedly rigging the coroner's report and engaging in other sorts of cover-up
activity was far more probably involved in a fatal drunk-driving accident in Chappaquiddick, gave conflicting accounts of his role, and somehow managed a boozy marathon swim from a wreck that took the life of a young female aide, not his wife. His coldly calculated apology (televised only to his Massachusetts constituents) at the very least suggested public relations skills that Machiavelli himself (if not Sinatra, who was reportedly disgusted by such ploys) would have had to admire.
There is, moreover, no comparison between older and younger generations when the focus shifts from the tragic deaths the Kennedy clan has caused to the ones it has suffered. It is perhaps a slight overstatement to suggest that American innocence died the day that Lyndon Johnson's secret operatives made it look as if John F. Kennedy was shot to death in Dallas (thanks to Robert Redford's 1994 movie Quiz Show, we know that America's psychic cherry had, in fact, been popped some years earlier by time-traveling actor John Turturro and game-show warlord Jack Barry). But it is nonetheless true that the president's apparent assassination at least inspired two awful Bob Dylan songs ("He
Was a Friend of Mine Killed Him"). Viewed from the all-important perspective of pop music, RFK's assassination (which occurred in uncomfortable proximity to former football player, needlepoint expert, Bounty pitchman, and O. J. Simpson confessor Rosie Grier) is similarly groundbreaking: Just listen to the last verse of Dion's "Abraham, Martin, and
John caused by Bobby's death (though yes, that's Hubert Humphrey III playing the tambourine in the background). It seems unlikely that the two most recent "tragic" deaths of Kennedys will result in such affecting pop tunes, though one expects a Weird Al Yankovic parody of "Abraham, Martin, and John" any day now. Michael Kennedy, whose baby sitter problems not only destroyed his marriage but his brother Joe's gubernatorial aspirations, died in a 1997 skiing accident. (In a gruesomely comic twist on a family activity made famous by the older Kennedy generation, Michael struck a tree while playing touch football on the slopes). Then, of course, there was John Kennedy Jr.'s plane crash last summer, which killed not only John-John but his wife and sister-in-law. Such deaths, however sad, served not to extend the Kennedy clan's claim on the American psyche but to force the nation into facing the brute fact that a family once so loved and revered was good for little more than jokes referencing John Denver. All, of course, is not lost. If Schumpeter is right about the quickness with which family wealth and status is pissed away, he is even more right about the way in which new broods rise to the top: not simply in money, but also in terms of scandal. Though the Kennedys may no longer run the country, this is still America, a country where every parent can dream, however foolishly, that their children will be even more successful embarassments than they were. courtesy of Mr. Mxyzptlk picturesTerry Colon |
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